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$13.50 ADVANCED // $15.00 DAY OF SHOW

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ABOUT DIA on Día: A Día de los Muertos Celebration

A one-night event produced by EQ Austin featuring a diverse line-up of Austin artists on one stage!

Featuring performances by: Tomar Williams, Vallejo, Nagavalli, Carrie Rodriguez, Melat, Del Castillo, Sangeeta Kaur, Bavu Blakes, The Tiarras, BLK ODYSSY, Stephanie Bergara, Patrice Pike, Lesly Reynaga, Eimeral Sol, Shiela, Quentin Arispe, Como Las Movies, Lolita Lynne, Tee Double, Nemegata, Salih Williams, Nubia Emmon, Sami Serrano, Bakbonz, Grace Sorensen, Lady Shacklin', Sugaree, Ter'ell Shahid, Willie Alvarado, Perri Jones, DJ Crash and special guests.

Día de los Muertos is a day of celebration that combines traditions from ancient Aztec, Spanish and Mexican cultures.  Each year on this day, we not only honor the passing of souls, but celebrate the part of the human experience that unites us all - death. In keeping with the spirit of unity and the human experience, this year we will celebrate and honor those before us with an officially proclaimed Day of Diversity Inclusion Awareness throughout the city.

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$25.00 ADVANCED // $28.00 DAY OF SHOW

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ABOUT SON LITTLE

Conceived in a cabin overlooking the Delaware River in upstate New York, Son Little’s latest album, Like Neptune, trades in the existential dread permeating previous work for unbridled joy and self-acceptance. In this verdant space of freedom, Son Little transmutes the chronic pain of self-doubt into a beautiful opus about overcoming generational trauma, decorating the altar of the primordial blues and elevating the labor of healing to high art. 

"In the beginning of lockdown, I went into a closet full of junk and found a couple of boxes full of my old writing books,” Livingston explained. “There turned out to be 72 books in there.”

“The oldest book I got as a Christmas present when I was 9,” he continued. “In it, I wrote letters to myself about what was happening in my life. One page refers to a neighbor in Queens who abused me sexually around age 5. It was the first and only time I’d ever acknowledge this fact until after my 19th birthday, when I told my mother what had happened. She begged me go to therapy. I went under protest. My attempt wasn’t sincere. I wasn’t ready. I thought I could just power through it.”

Years of anxiety, depression, panic attacks and the aforementioned existential dread ensued, often dulled or numbed by the effects of alcohol, drugs, or sex. A frightening car crash and arrest finally led him back into therapy in 2017. Aggressively employing progressive methods like EMDR and somatic healing, Livingston, with the help of a trusted therapist, began identifying the roots of his trauma, and where it lives in the body. But the biggest breakthrough came from Internal Family Systems, a methodology that recognizes responses to trauma triggers as distinct entities or ‘parts’ within the person, and requires the patient essentially have conversations with the different traumatized personalities within them.

“One day in therapy I started talking to myself– to that annoying inner voice that criticizes everything when you mess up. I asked them how old they were and they said ’10’. I asked if they knew who I was, or how old I was and they said ‘no'! Strange as it all seems it’s had some amazing results. I’m able to soothe and comfort my inner…children.”

The open exchange with his wounded inner self challenges a tradition of silence that masks the trauma coursing through the bedrock of the genre; the impact of abuse has infamously undergirded the catalogs and upended the lives of some of R&B’s most iconic musicians. Like Neptune, however, counters that no student or practitioner of the tradition should believe trauma to be a necessary component of their sound. 

“I’ve always felt as though I was making music because I had to, something inside compelled me. Fueled me,” Little shared. “This the first time in a long time I’m making music for the pure joy of creating.”

Delving into his journals and happily cooped up inside due to the pandemic, Son Little returned to beat making to craft the core of Like Neptune using apps on his iPad–– a method originally tasked with satisfying the nagging urge to create on a daily basis on the road; later he fleshed out the programming and added live instrumentation in Ableton live— while micro dosing LSD and immersing himself in the sounds of ‘70s era David Bowie and psychedelic Amazonian cumbia of the same period.

Like Neptune also marks a return, to Livingston’s origins in the east coast underground hip-hop and soul scene, which lead to collaborations with The Roots (“Guns Are Drawn” and “Sleep”) and Icebird partner and frequent-collaborator RJD2 (“Crumbs Off The Table”), and later Portugal. the Man (“Woodstock”).

With these DIY bedroom productions, many made with a cassette 4-track and a MPC drum machine, Livingston honed and refined the unique sound he would later employ producing soul music legend Mavis Staples’ 2015 Your Good Fortune EP (including a GRAMMY Award-winning cover of “See That My Grave Is Kept Clean”) and writing and producing with blues soul singer Deva Mahal. The entirety of this timeline of artistic growth and influence forms the foundation of his latest release.

Noticeably confident from the opening note, Son Little prioritizes his signature rasp as the chief instrument of every song on a 12-track meditation on the mortal struggle to achieve inner peace. Doling out a pearl-strung collection of successive epiphanies he engages each of his re-invigorated parts, empowering them to finally speak freely, with him as the vessel. 

“Think of them as my inner R&B Boy Band, son little,” Livingston explained. “A different version of me takes lead on each song.”

Beginning with the opening track, Son Little lets loose in this expansive creative landscape. "drummer" is a chronicle of the artistic struggle punctuated by the expert timing of master percussionist Aaron Draper, Livingston’s inner critic delivers a spirited ode to the rigors and value of creative work. 

The anxious worrisome part, the part that sets the alarm because you stayed up all night worrying about sleeping through the alarm, describes the ongoing effort to repair a fraught relationship with sleep on "6 AM." 

And a once overly macho part finds power in vulnerability: "inside out” places balance and directness over possessiveness and toxicity with a groove inspired by both RZA and Prince, while "deeper" alludes to Son Little's long-standing desire to understand the human experience beyond mortality, someplace closer to the essence of the divine.

On the title track, Livingston’s voice does the heavy lifting – supported again by Draper’s percussion – and delivers the playful lyrics he attributes to his youngest and most wildly imaginative part, Neptune. Neptune is also responsible for “stoned love” which finds him cooing stoner wordplay flanked by the otherworldly synth work of Deshawn ‘Dvibes’ Alexander.

The lustful album closer “what’s good” practically oozes joy as a once angry, impatient part of him imagines reuniting with a would-be lover after a very long absence. This song demonstrates a depth of emotion with slick pop melodies and spare guitar to stomping gospel organ and brash arpeggios that scratch the psych-rock itch. 

Like Neptune establishes Son Little as the polyglot translator and rightful torchbearer of the celebrated musical tradition known as rhythm and blues. Continuing to revolutionize the modern understanding and expectation of the R&B sound, Son Little delivers an unadulterated transmission of Black American music performed in its praying and pleading mother tongue. With it, he completes the daunting tasks of confronting himself and pushing his sound to completion. The result is a timeless body of work reflective of his deep internal desire to inhabit the most radiant version of himself and become a positive force in the lives of people around him. It’s been a long time coming, so what’s good?

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ADVANCE: $15 // DAY OF SHOW: $18

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La Doña, born Cecilia Cassandra Peña-Govea in San Francisco, California, is a solo reggaeton singer, songwriter and multi-instrumentalist. The Chicana artist began her career at age 7 playing trumpet, and later strings and percussion in her family’s conjunto. She also played in a youth salsa band and a Balkan fusion band before synthesizing her unique upbringing in her original compositions. La Doña combines her deep roots in Latin folk traditions like corridos and rumba with the propulsive modern sounds of reggaeton, cumbia, and hip hop. 

La Doña coined the term “Femmeton” to describe her auto-referential songs about love, sex, gentrification and the radical joys of being a queer brown woman in the Bay Area. An activist and educator, she holds her community close- her father, childhood friends, and partner layer live instrumentation, intimate harmonies and driving percussion over a thick reggaeton beat. Influenced by local muralismo and hyphy sensibilities just as much as global diasporas and climate catastrophes, La Doña’s catalogue is eclectic, fresh, and urgent. 

La Doña was chosen as one of YouTube’s Foundry Artists and she has performed recently at Tecate’s “El Patio” and Redbull’s “EEUU de Bass”. Her song, “Quién Me La Paga” was the first of the New York Times Magazine’s “19 Songs that Matter Now,” for 2020, and her EP, Algo Nuevo, was selected by the San Francisco Chronicle as one of the 6 best albums of 2020. La Doña was awarded the 2020 Yerba Buena Gardens Festival Mini-Commission, and continues to make music.

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ABOUT SHE WANTS REVENGE

She Wants Revenge, the dark-alternative duo who first exploded onto the scene with 2005’s evergreen hit and dance floor classic, “Tear You Apart”, have reformed after a two-and-a-halfyear split, with tour dates, a new lineup, and their first album in over 10 years.

For childhood friends Justin Warfield and Adam Bravin, She Wants Revenge began as a production duo making songs to DJ at clubs. But when a 3-song CD was passed to a friend, they signed to Geffen records, and soon their demos became the basis of 2005’s self-titled LP.

They hit the road supporting Bloc Party, The Kills, and OKGO, and on one of their cross-country runs, their dark, minimalist bass-heavy throwback, “Tear You Apart” became a bona fide hit. Soon they were opening for Depeche Mode, The Psychedelic Furs, Placebo, co-headlining with Peter Murphy of Bauhaus, and headlining Coachella alongside Daft Punk. In under a year the oddball song they thought sounded like an evil version of the B52’s or Wall of Voodoo had them blitzing through the late-night talk show circuit, and with singles “Out of Control”, and “These Things” also climbing the charts, they went on to sell over 300,000 albums just as streaming began to drastically reshape the music industry.

They released their 2nd album, This Is Forever (2007), followed by the stylistic turn of dual EP’s Save Your Soul (2008) and Up and Down (2009), and finally, their swan song, Valleyheart (2011). Musically and creatively, their sound evolved over those four years, and long after the radio hits faded, the live shows grew as more and more devoted fans discovered them. Along the way they collaborated with Timbaland, made videos with Shirley Manson and Joaquin Phoenix, and created a body of work that both broke new ground, while also paying homage to the music, films, and pop-culture which shaped their youth.

Though they came to prominence in the mid-aughts post-punk revival, Justin and Adam were more indebted to their early influences; Prince, Tangerine Dream, ELO, Giorgio Moroder, and 90s hip-hop. It was their true to the era production style, thoughtful songwriting, and heart-onthe- sleeve lyricism which ran counter to the studied dance punk and emotionally distanced, clever sound of their contemporaries which endeared them to the legions of fans who hungered for their brand of bold, emotive music which was sorely lacking at the time. In doing so, they made fans of both the older “all-black” crowd as well as their younger counterparts, and more pointedly, drew nods and praise from the bands who directly inspired them - cementing SWR’s legacy as torch bearers for the moody and morose who came before. Road-worn and weary from a breakneck touring schedule, the band announced in 2012 that they’d be going on an indefinite hiatus. For their fans to whom they’d become like musical family, this was nothing short of heartbreaking, the uncertainty of the word, “hiatus” only making it worse. But behind the scenes, it was clear; this was a break-up, and difficult as it may have been, it was the only way to retain the friendship which was at the heart of all they’d done. Rather than subject audiences to punch-ups and public feuding, they went their separate ways, played the final, emotional shows, and dove head-first into separate projects, with Adam starting his solo project Love, Ecstasy and Terror, and  Justin forming the band Dream Club, both recording albums and playing shows at home in Los Angeles. But as sometimes happens, the universe had other plans, and in 2015, following a 4-year hiatus, fan, friend, and vocal supporter Lady Gaga put “Tear You Apart” in the premiere episode of her star turn in American Horror Story, instantly reigniting interest in the band. Suddenly SWR was back in the charts and steadily streaming, and overnight, the broken-up duo was now the “favorite new band” of millennials longing for more of what they heard on the show.

The band could no longer ignore the signs, and in 2016 they reunited for the 10-year anniversary of their debut album, and the original lineup of Warfield, Bravin, Scott Ellis (Drums), and Thomas Froggatt (Guitar), hit the road playing the album in its entirety for captive audiences worldwide. Old fans were ecstatic, and new fans were thrilled to finally see them live. They leaked the single, “Never”, and soon after followed up with “Big Love”. What started as a tour to honor their anniversary turned into a 4-year sprint across the US, Canada, Europe, and the UK.

The band was in top form, the tours were well-attended, and the momentum was building. In early 2020 after a run of sold-out shows in LA, they sat down to finally record a new album, but when the pandemic hit and their festival appearances and headline tours were cancelled, like everyone else, their personal and professional worlds were turned upside down.

Eager to try something new, wanting to step away from the nearly 2 decades of a creative, but combustible relationship, Justin was ready to call it a day. Though the reunion was fun, fulfilling, and successful, he felt the band had personally and creatively run its course, and despite new fans discovering them daily, high-profile public shout-outs from Billie Eilish and a newly minted platinum single, he still couldn’t see a way forward, so  the band announced they were finished.

Adam produced and developed other artists, moved deeper into painting and photography, immersed himself in the world of Web3, and continued to work on his solo projects. Justin made a solo album under the banner, WARFIELD, directed a concert film, took an A&R position, and started a music consulting company. They handled old business and spent time as friends, but when it came to the band, both avoided discussing, knowing it was a loaded topic. But in 2022, Warfield wondered aloud if the band still had unfinished business. What followed was a month-long conversation between Justin and Adam about the good, the bad, and the ugly of their long and fruitful, yet complicated relationship. And after some tough conversations, soul searching, and a willingness to do the work, they found a way forward. No longer would the band themselves, or the fans be deprived of more music. Feeling as though they had to make up for lost time, they decided to finally make that longawaited 4th album. Knowing they were never the most prolific of bands, they also felt that with their renewed enthusiasm, and a healthy, communicative relationship at the core, they could make as  many albums over the next five years as they had over the previous 15. With a new 5-person lineup featuring Justin on vocals/guitar, Adam on keys/samples/effects, Thomas Froggatt (formerly guitar) on bass, Spencer Rollins (a longtime creative associate and friend of the band) on guitar, and David Goodstein (a mutual friend of Justin and Adam) on drums, the revitalized SWR exudes the excitement and energy of bands half their age, and with tours planned through the fall, 2023 festival appearances already on the books, and the Justin and Adam more inspired than ever, She Wants Revenge is a band on a mission, grateful to still be able to do what they love, while continuing to grow as artists and individuals. 

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ABOUT WHITE BUFFALO 

The White Buffalo is about engagement. The White Buffalo makes people laugh and cry. The White Buffalo is truth and wild imagination working together. The White Buffalo is Jake Smith – singer, songwriter, guitarist, teller of stories, Emmy nominee; an artist whose voice – a timber-shakin’ baritone of gravitas and gravel – seems directly linked to a greater truth; an artist who will not be swayed by fashion or curtailed by genre. And now, on April 17th 2020, The White Buffalo releases new studio album, ‘On The Widow’s Walk’ – a loosely linked collection of dark thrills produced by Shooter Jennings. Of the six studio albums and three EPs thus far released under The White Buffalo banner, this latest outing is the most collaborative and organic, the most sonically round. ‘On The Widow’s Walk’ is a bold and compelling statement from a unique talent; an artist whose instinct for working between the musical lines has seen his star very much on the rise, playing to a million followers worldwide and securing a Top 10 spot in the TV / Film Syncs Chart for 2019. With uncontrived, hand-crafted music now receiving increased levels of attention, music straight from source, the timing is perfect for this powerful, provoking new album and a fresh turn of the page.

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It’s hard to imagine a band just coming into their own after 20 years of success, but that’s exactly what makes a true anomaly. This multi-national, Celtic juggernaut grows stronger with each live performance, and as you can imagine, after two decades and over 2000 shows, it is a true force to be reckoned with. With their latest release, Go Climb a Tree, their music has never sounded more representative of themselves as musicians and as live performers.

The band attributes their continued success to their fanatic audience, and it’s a well-diversified crowd for sure. The country-music folks adore the storytelling, the bluegrass-heads love the instrumentals, Celtic fans love their devotion to tradition, and the rockers simply relish the passion they play their instruments with. Each band member, in their own way, expresses a deep gratitude for their fans, but it’s best summed up in the words of Patrick Murphy: “The fans are the ones that have given us this life. We’re here for them.”

On Go Climb a Tree, co-founders of Gaelic Storm, Steve Twigger and Patrick Murphy, along with longtime friend and co-writer Steve Wehmever, are again at the helm of song-writing duties. The album has everything—party drinking songs  (“The Beer Song”), patriotic anthems (“Green, White and Orange”), beautiful folk songs (“Monday Morning Girl”), spritely instrumentals “”The Night of Tomfoolery”), perfectly poppy songs (“Shine On”), and even a raucous pirate song (“Shanghai Kelly”). When speaking of the overall concept of the album, Patrick Murphy gives some insight: “With all the craziness and division in the world, we wanted to make an album about ‘contemplative escapism.’ Go Climb a Tree certainly isn’t about dropping out of the conversation, it’s just about taking a short hiatus to recharge the batteries before you take on the world again.”

Gaelic Storm takes a true blue-collar, hard-nose approach to touring, consistently traveling the US and internationally over 200 days a year, forging a unique path in the Celtic music world. “You have to see us live. We are the true working-mans’ band,” says Ryan Lacey, who joined the lineup in 2003. “We still, and most likely always will, tour most of the year, and that’s how we constantly hone our craft.”

The dedication to live shows date all the way back to the mid-1990s, when Gaelic Storm kicked off its career as a pub band in Santa Monica, California. Due to their discovery at the pub, by the end of the decade, the musicians had appeared in the blockbuster film Titanic (where they performed “Irish Party in Third Class”). This laid the groundwork for a career that would eventually find them topping the Billboard World Chart six times, making appearances at mainstream music festivals, and regularly headlining the largest Irish Festivals across the country, all the while gaining a reputation as a genre-bending Irish rock band, whose songs mix Celtic traditions with something uniquely creative.

Looking to the future, Gaelic Storm is excited about what lies ahead. In 2022, they were excited to welcome Natalya Kay, an incredible fiddler hailing from Western Massachusetts, but living now in Music City, Nashville, TN. Natalya's energy and presence on stage has been a force to be reckoned with.

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Grupo Metál of San Antonio, Texas was established in 1991 as a tejano band. Formed by Carlos Miranda Jr, son of the legendary singer Carlos Miranda, Carlos Jr first toured opening for Selena Quintanilla Perez across Texas spanning three tours in four years (Ven Conmigo Tour, Entre Mi Mundo Tour & The Grammy Award Selena Live Tour).

After leaving the company, Carlos Jr soon updated his name to Carlito and emerged as a solo artist. He signed a deal with Sony records and hit the road touring with the Big Giants of tejano La Mafia. After touring with his first solo album, Carlito decided to venture into another genre - Rock en Espanol under the name Grupo Metál. With an all star musician line up, Grupo Metál skyrocketed in popularity, selling out shows all over Texas.

Soon after, Grupo Metál welcomed Chris Perez to the band. Chris was a special addition to Metál since Carlito and Chris had first forged their friendship as children, a bond that can never be broken. Music had only strengthened their friendship over the years. Touring side by side years earlier, the two enjoyed the time spent on the road touring with Selena.

Ex Dinos Guitarist, Chris Perez who was married to Selena Quintanilla Perez, worked through various Selena albums which included hits like “Bidi Bidi Bom Bom,” “Amor Prohibido,” “Carcacha,” and “Como La Flor.”

Chris continued his career and went on to win a Grammy with his solo album Resurrection. Following this success, he joined Los Kumbia Kings and worked with them for quite some time. After a brief hiatus, Chris continued to work on a number of projects including Metál.

The roots of Metál run deep. Each member have been personal friends for years & have all worked with one another in various projects throughout their musical careers, This trifecta of talent pays tribute to Prince, Eddie Van Halen, David Bowie to name a few, ending with a special tribute to La Reina Selena in this upcoming show.

Over the years Carlito & Chris Perez have crossed paths musically numerous times. First with Selena y Los Dinos, Chris Perez Project and now full circle with Grupo Metál & most recently they announced their company Blue Mariachi Productions.

Grupo Metál Ft Chris Perez will leave you dancing, singing as they pay homage to yours & their favorite artist & what better way to celebrate life with this band of brothers who share this twenty year history, connected through their love of music, Chris Perez, Carlito Miranda embark on this journey as they were once fortunate enough to have shared part of history and now these brothers invite you to take part in their story & show, so prepare yourself for a ride with Grupo Metál Ft Chris Perez with special guest, YOU!

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On a primal level, we react to music through movement.

A head-nod, a foot-tap, or a handclap certainly shows appreciation, but dancing seals the eternal bond between audience and musician. Siphoning the spirits of rock, funk, R&B, jazz, and pop through a kaleidoscope of unpredictable and virtuosic improvisation, Boston-based Ripe consistently bring people to their feet. Most importantly, they prove that “dance music” in its purest form doesn’t have to come from computers and synthesizers. It can be an unstoppable groove or an extended moment of ecstatic release. Like those bodies moving on the floor, it’s the result of the energy, friction, and communication between living and breathing people. An inimitable and indefinable chemistry has separated and singled out Ripe since day one. Subverting any and all standard genre boundaries once again, their latest offering confidently continues that tradition. These five musical soulmates —Robbie Wulfsohn [vocals], Jon Becker [guitar], Sampson Hellerman [drums], Calvin Barthel [trombone], and Nadav Shapira [bass]—once again incite listeners to move on their full-length debut, Joy In The Wild Unknown. 

“What we make is music you can dance to,” affirms Robbie. “We’re drawn to the peak of a song—the emotional catharsis when everything comes out. It’s all about reaching that moment. The revelation comes back to us when bodies shake with joy.”

“Every time we play, something unique happens,” adds Jon. “You’ll never see the same show twice. We want to bring that unexpected element into the pop sphere.”

Ripe brings the swagger of funk filtered through a rock anthem, a musical journey that somehow gets as stuck in your head as your favorite pop banger.

Formed during their Berklee College of Music days, the boys have built a rabid fan base through tireless gigging and a steady stream of music. Following their debut collection of songs, Produce The Juice EP, the 2015 Hey Hello EP yielded fan favorites “Goon Squad,” which clocked over 4 million Spotify streams. The band then raised the stakes with their debut album, Joy In The Wild Unknown, which represented a creative journey as Ripe became a national presence. The band tapped the talents of producer Cory Wong of Vulfpeck behind the board. Additionally, five-time GRAMMY® Award winner Joe Visciano [Mark Ronson, Adele, Beck, Coldplay] mixed the music, while mastering came courtesy of Randy Merrill [Lady Gaga, Lorde, Imagine Dragons, Taylor Swift].

 Over the course of twelve songs, it finds the elusive sweet spot between jaw-dropping technicality and airtight songcraft as Ripe collectively kick off a fresh, focused, and fiery next phase. Averaging over 250K monthly listeners on Spotify, the group landed looks from the likes of WXPN, Huffington Post, Verge Campus, Boston Globe and Hype Machine love from sites like Ear to the Ground and Indie Obsessive. Along the way, they also hit the stage at festivals such as SweetWater, Levitate, The Rock Boat, High Sierra, LaureLive, Brooklyn Comes Alive, Audiotree, and Summer Camp. 

The common thread would always be the translation of their individual interplay to their audience, one that Ripe views as not just fans, but old and new friends; an extended family that is rapidly growing as their sound spreads and their world deepens. Ripe gives the same weight to happiness as is often given to sadness. Their music signifies more than just a distraction from your troubles for a few hours - it’s an experience of connection and acceptance; a warm welcome into their world. In the end, this Joy is shared by an ever-growing community that’ll be dancing every time Ripe roll through town.

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The #9 Orchestra is a group of accomplished musicians from Austin, Texas who ‘come together’ annually to pay tribute to the music of John Lennon and the Beatles. This year, 2022, will mark the 32^th year they have celebrated this Austin tradition. They will perform their 32^ND  Annual John Lennon Birthday Tribute on October 9,^th John’s birthday, at the 3TEN ACL Live theater in beautiful downtown Austin.

The members The #9 Orchestra this year are- Stephen Doster, Darin Murphy, Randy Miller, Ben Cocke, Maria Nehring, Shana Norton, Bruce Marton, Dave Moerbe, Sam Jeffrey, Stephen Jeffrey, and Kelly Hodge.

Darin Murphy will be playing drums and singing. He has been touring nationally the past year with Todd Rungren and Christopher Cross for their 50 Years Ago Today tribute to the Beatles. He also was in the off-Broadway production of John Lennon sanctioned by Yoko Ono.   

Randy Miller is known in Austin, Texas as the producer of the highly successful ALL ATX concert series. He was a founding member of Houston’s Zen Archer and has been performing Beatles music for most his life.

Singer, songwriter, and guitarist Stephen Doster’s late 2014 solo release Arizona was hailed a “masterpiece” with “one charmed melody after another” by Jim Caligiuri of the Austin Chronicle and an “exquisitely crafted classic” by Peter Blackstock of the Austin American Statesman. Both critics respectively selected it at the top of their “Best of 2014” lists. Doster’s follow up record New Black Suit was applauded as “similarly wondrous” by the American Statesman. The record was cited by KUTX in “Jody Denberg’s Top Tracks of 2017.” Denberg called it “the record I listened to the most in 2017.” In 2022 he released over the red sea on faw records which has received his most international airplay and acclaim to date.

Singer and guitarist Ben Cocke and singer and percussionist Dave Moerbe were original members of the Austin All Stars who hosted a long running jam session in Austin which featured a wide variety of guests from Sonny Bono to Robin Zander of Cheap Trick. Since the 70’s Moerbe has also been the drummer and one of the lead singers of Denim, a Texas treasure known for their latticework harmony vocals and feel-good songs.

When not performing with various symphonic groups throughout Texas and beyond, harpist Shana Norton is half of the internationally acclaimed duo Chaski who perform a variety of Celtic and Latin American folk music. Norton along with violinist Maria Nehring and keyboardist Bruce Marton form the orchestral sound of the group. They allow the band to perform many of the songs the Beatles themselves never performed live.

The Magical Mystery Horns featuring Sam Jeffrey, Stephen Jeffrey, and Kelly Hodge have been performing with the group for the last decade further allowing songs to be added to the repertoire that need a more flushed out sound. Sam Jeffrey’s piccolo trumpet solo on “Penny Lane” is always a hit with the crowd.

Please come and support the group as they hit 32 years of having fun and playing music that’s dear to their hearts.

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ABOUT RYAN GRIFFIN
Already a hitmaker with a #1 song under his belt, Ryan Griffin is poised for a Country breakout with his Billboard Top 20 all-genre viral smash “Salt, Lime & Tequila.” The Florida native adds the soul of R&B to the honest universality of Country, forging a mix of romantic fun landing somewhere between Keith Urban and Brian McKnight. Growing up on his family’s farm and moving to Music City at the age of 17, Griffin made his first mark in 2016 as a co-writer of Kelsea Ballerini’s PLATINUM-certified #1 single “Dibs.” Gaining heat on multiple platforms, Griffin has been featured as a SiriusXM Highway Find and racked up more than 25 MILLION streams on Spotify alone with infectious tracks including "Going Going Gone," "Name On It" and "Right Here Right Now." Recognized as one of Rolling Stone’s "10 New Country Artists You Need to Know” and one of Pandora’s “Artists to Watch 2021,” Ryan has opened concert dates for Ballerini, Lady Antebellum, Old Dominion and Cole Swindell.

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ABOUT THE DIP 

Hailing from Seattle, The Dip is an electrifying seven-piece ensemble that melds vintage rhythm and blues with classic pop storytelling. Acclaimed by KEXP as “one of the most exciting and joyous acts to emerge in recent years,” the band features frontman Tom Eddy’s compelling vocals over an effortlessly deep pocket and energetic melodies from the three-piece Honeynut Horns. Hard-hitting but sensitive, The Dip draws inspiration from the musical roots of decades prior while sounding undeniably relevant today. Following the organic buzz of the 2015 debut, the band arrived on the international stage with their 2019 sophomore full-length, The Dip Delivers. Buoyed by the hit single “Sure Don’t Miss You,” the album was entirely recorded and mixed by the band in their own studio and dishes out a nourishing dose of stylistic and sonic variety.

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"Cry Havoc!" is a thrilling introduction to a new sonic and narrative world created by Mobley. At once intimate and epic, these songs find him exploring themes of power, alienation, and dissent with an artful clarity that demands repeat listening.

With his trademark cinematic sweep, the Austin, TX-based songsmith (and record producer/filmmaker/writer) has delivered a new EP that carries forward the concepts that have animated his work to-date. But where 2021’s Young & Dying in the Occident Supreme refracted these ideas through surreal spaghetti-western soundscapes and guitar-driven psych rock, "Cry Havoc!" introduces a retro-futuristic world of seductively sinister melodies, distorted synths, jagged cuts, and propulsive rhythms.

What remains unchanged is Mobley’s penchant for pop songwriting—ear-worm melodies and hooks for days. He has a mad scientist’s need to experiment with the form’s limits: for half of the tracks Mobley wrote and recorded whole songs which he then dismantled and sampled to create a fresh, new sound. The result is a record that feels strange and familiar, dangerous and danceable. It evokes the dread curiosity of 70s sci-fi paperbacks—among the inspirations for the EP. "Cry Havoc!" is itself a speculative fiction concept record that takes place in an alternate-past New York and the catastrophic far future. It follows an antihero whose failed heist attempt lands him in a secret time prison.

"Cry Havoc!" is coming this fall via Last Gang Records.

Want more of Mobley? Visit SHOP Mobley for exclusive bundles of tickets, vinyl records, apparel and more!

SHOP Mobley

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ABOUT THE DIP 

Hailing from Seattle, The Dip is an electrifying seven-piece ensemble that melds vintage rhythm and blues with classic pop storytelling. Acclaimed by KEXP as “one of the most exciting and joyous acts to emerge in recent years,” the band features frontman Tom Eddy’s compelling vocals over an effortlessly deep pocket and energetic melodies from the three-piece Honeynut Horns. Hard-hitting but sensitive, The Dip draws inspiration from the musical roots of decades prior while sounding undeniably relevant today. Following the organic buzz of the 2015 debut, the band arrived on the international stage with their 2019 sophomore full-length, The Dip Delivers. Buoyed by the hit single “Sure Don’t Miss You,” the album was entirely recorded and mixed by the band in their own studio and dishes out a nourishing dose of stylistic and sonic variety.

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