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ABOUT TOUCH OF TREY 

Touch of Trey is a tribute to two of the world's most iconic band's: Grateful Dead & Phish.  Building you a pyramid of Austin musicians:  Josh Pearson (guitar), Rex Simmons (keys), Lee Braverman (bass) & Keith Laudieri (drums), the band loves recreating this strange design of music.  They've been known to poke around with several Austin bands: A Live One, HeartByrne, DeadEye & Ain't Wastin Time, among others.  Without love in the dream, it will never come true, so whatever you do, take care of your shoes.

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ABOUT ARLIE

Arlie is a band created by singer-songwriter, composer & multi-instrumentalist Nathaniel Banks. It began in summer 2015 as a solo bedroom project and grew to incorporate a full-band live show by fall 2016. Since Arlie started playing live, Adam Lochemes and Carson Lystad have been part of the performing ensemble on drums and guitar, respectively. Ryan Savage joined on bass in 2018. During the pandemic and the year prior, everyone involved in the group wound up going through some of the hardest times of their lives, in one way or another. But despite some major setbacks and challenges, they managed to come together and finish a debut full-length album as a team, with Ryan and Adam as co-producers alongside Nathaniel, Carson as a trusted go-to perspective, all together bringing a new batch of Banks’ songs and demos to full fruition. After finishing the record, the group added Noah Luna to the performing ensemble as a backing vocalist and multi-instrumentalist to complete the live show. 

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ABOUT CHINA CRISIS

The early 1980’s heraldeda second Liverpool-based musical renaissance responsible for producing notjust new wave legends OMD, but also thediverselikes ofEcho and the Bunnymen,Teardrop Explodes,A Flock of Seagulls and Frankie Goes to Hollywood.Amongst these lauded Merseyside acts was ChinaCrisis,emerging in1981from their native Kirkby as the songwriting duo of vocalist/keyboardist GaryDaly and guitarist / vocalist Eddie Lundon,who over the yearshave been accompanied bya gifted andcreativebut ever-mutable group ofmusicians both on stage and in their recordings.Citing influencesasvariedas Davie Bowie, Stevie Wonder and Eric Satie, it’s not entirely surprising that their sound wasdistinctive amongst their peers,often combiningelements of jazz, reggae, country and other styleswith their own unique melodies and harmonies. With their philosophy that “the song is the mostimportant thing”,China Crisisdidn’t just stretch the creative limits of the technology of the time, butincorporated horns, strings, woodwinds, pedal steel, and did whatever they sensed would servetocreate the best possible outcome for agivensong.The result of their effort was a clearly identifiableChina Crisissound thatstood out from the crowd andgarnered the bandeleven UK Top 50 singles andthree UK Top 40 albums, as well asconsiderablecommercial success in Western Europe,ANZ,Southeast Asiaand the Americas.That the China Crisis sound is enduring isdemonstrable well into the 21stCentury, not just through thecontinuedfidelityof their longtimefansbut the fact that a whole new generation of musicians andlisteners are becoming China Crisis devotees. In 2015Gary and EddiereleasedtheseventhChina Crisisstudio albumto great acclaimvia thefan fundedPledgeMusic marketplace, a work referred to as atonce “adventurous and contemporary” and “intimate”, and a return to the band’s “heady” songwritingstrengths.MeanwhileChina Crisis classics havebeen sampled intomodernsinglesby the likes ofFrench MontanaandAction Bronson, andthe band’ssongs have been chosen for useincontemporarycinema such as withthe hit filmGone Girland the immensely popularSex Educationon Netflix,allintroducing their music to a whole new audience.Recently the band have undertaken extensivetouringtomarkthe celebration of4 decades of music-making, selling out shows throughout the UK aswell asin the US and Canada,with more dates planned for Australia/New Zealand and Europe over thecoming year. The band have just releasedtheir“40thAnniversary:Live from the LiverpoolPhilharmonic”, alovingly producedlive concert video from their inaugural 40thAnniversary show whichfeatures songs from every one of their albums(some never before performed live),recordedintheirhometown with an all-star 16-piece China Crisis band.With a combination of truly engaging music, a good bit of Scouse humor, andthe clear kinship theband have with their fans, any China Crisis show is one you leave happier for having been part of.Theirlive performances aretrulymust-see.

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ABOUT JUNKYARD

A gritty, streetwise rock band with a bluesy undercurrent, Junkyard’s music is steeped in Hard & Southern Rock, but their roots are in punk, and most, if not all members got their start in punk & hardcore acts of the ’80s.

Junkyard shared their passion for unpretentious riffage drawn from the influences of ’70s hard rock with a swagger that made their good times seem more than just a little dangerous. At the same time, their blues influences were closer to the surface, and if the music was a far cry from punk, the raw edges of their early influences were there in case you were looking for them.

Their self-titled 1989 debut clearly reflected their label’s desire to market the next big rock sensation, while 1991’s “Sixes, Sevens & Nines” had a leaner, more cohesive sound that better represented the bands ambitions. Their 2017 comeback album, “High Water”, the 2020 “Rome is Burning” and the 2021 “Lifer B/W Last of a Dying Breed,” all are in the same stylistic territory as their original studio albums, but with a greater speed and snarkier attitude that boosted their punk rock influences in the mix.

Junkyard formed in Los Angeles, California in 1987. They formed with a bunch of like-minded acts who were tired of the L.A. hair metal scene and the pay-to-play gigs that had come to dominate many Hollywood venues. Playing smaller, more artist-friendly clubs like Raji’s, White Trash a Go-Go, and Club Lingerie, Junkyard opted for a rougher sound and more dangerous image, suggesting a handful of bikers who somehow learned to play instruments. The original lineup included singer David Roach, drummer Patrick Muzingo, guitarist’s Chris Gates & Brian Baker and bassist Clay Anthony.

With a solid lineup in place, Junkyard rolled into the studio with producer Tom Werman and knocked out their self-titled debut album, which Geffen issued in 1989. The band promoted the album with plenty of touring, and the tracks “Simple Man” and “Hollywood” were spun off as singles. The album’s sales were modest (it only rose to 105 on the Top 200 albums chart), and a follow-up didn’t arrive until 1991. Sixes, Sevens & Nines was issued by Geffen in May 1991, and was produced by Ed Stasium, with guest vocals from Steve Earle. During this period the rigors of frequent touring were taking a toll; not long before the album was set to drop, bassist Clay Anthony quit as he struggled with his demons, while Todd Muscat took over on bass.

After several months of touring, the group began work on their third album (material from the sessions would appear on bootlegs issued in 1998, 2019 Acetate Records gave it a proper release under the title “Old Habits Die Hard”). However, with the sudden success of Grunge bands changing priorities at Geffen, Junkyard were given their pink slips, and the group went on hiatus. From 1998 – 2003 the band did some spot touring overseas. In 2003 a six-song EP devoted to new recordings of old material as well as some fresh songs called “Tried and True” was released. In 2008 the group delivered another archival release, “Put It on Ten and Pull the Knobs Off!”, which packaged the early demos that won Junkyard their contract with Geffen.

The band offered fans a taste of new music in 2015 with the release of a single, “Faded” b/w “The River” with the aforementioned “High Water” coming out in 2017 (the bands first studio LP since “Sixes, Sevens & Nines” as well as the addition of Jimmy James on guitar) and late last year’s “Lifer B/W Last of a Dying Breed.”‘

“I don’t think we dated ourselves too badly in the beginning so a lot of our songs still have some relevance,” says Roach. “Also, we were in hibernation a while, we weren’t playing while a lot of our contemporaries were. It’s not so much longevity as it was people who missed us 30+ years ago finally have a chance to see us.” Mosher, who was a fan of the group before joining JUNKYARD in 2000, sees all angles of the JUNKYARD saga…”Although it’s been 22 years since I joined and Jimmy came in the band back in 2016, I’m still ‘the new guy,’ so with ‘High Water’, ‘Lifer’, etc., I wanted to give the fans something I would’ve wanted as a JUNKYARD fan — a proper third album,” said Mosher. “It was important to all of us that the record be a statement of intent that could connect with fans from back in the day as well as hopefully find new ones for whom this might be their first ‘YARD record. It’s a tall order, but we’re up for it.”

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ABOUT RUMOURS - A FLEETWOOD MAC TRIBUTE 

Formed in 2014, Rumours (also known as Rumours ATL) has taken the U.S. by storm with their stage scorching renditions of Fleetwood Mac songs. Fans from across the nation claim that Rumours is the band to see if you are looking for an authentic recreation of live Fleetwood Mac shows.

             In just under 5 years, Rumours has landed themselves the reputation of being the best Fleetwood Mac Tribute band and additionally has made fans internationally. In the summer of 2019, Rumours was invited to play a week in The Netherlands at some of the top venues and festivals in the country. The success of that tour brought them attention from plenty of new fans and promoters and they will be returning in 2020. Specially crafted shows and not one detail left behind, Rumours continues to sell out some of the top venues in the United States and gain fans at each show.

          Rumours is fronted by Mekenzie Thrift (Stevie Nicks vocals), Adrienne Cottrell (keyboards and Christine McVie vocals), and Denny Hanson  (guitar and Lindsey Buckingham vocals).  Alex Thrift on lead guitar, Jim Ramsdell on bass, and Daniel Morrison on drums makeup one of the best live band performances you will see at any show. The band prides themselves on being the most authentic Fleetwood Mac Tribute without coming across as a parody or a bore of a show. They will make you dance, sing along at the top of your lungs, and you’ll even learn something new about Fleetwood Mac at each performance.

Rumours will leave you wanting more. Rumours will make you relive those Fleetwood Mac memories.

Do you believe in miracles and the ways of magic? Rumours does.

“Rumours is a pleasure to work with and extremely dedicated to bringing a Fleetwood Mac experience to our audiences at every show. Which they sell out each time.” Peter Moshay, Grammy Winner and sound engineer for Daryl Hall and John Oates, Live from Daryl’s House

“We love having Rumours play our venue. They’re always so fun and get along with the staff great! They also sell a lot of tickets and their shows are awesome.” Jason Westbrook, Production Manager Iron City, Birmingham Alabama

“We love having Rumours and I love lighting their shows. They always make it magical.” Farrell Roberts, Variety Playhouse Atlanta GA

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ABOUT THE MOTHER HIPS 

Founded nearly 30 years ago, The Mother Hips caught their first big break before they’d even finished college, when legendary producer Rick Rubin signed the band to his American Recordings label. In the decades to come, the group would go on to release ten critically acclaimed studio albums and cement themselves as architects of a new breed of California rock and soul, one equally informed by the breezy harmonies of the Beach Boys, the funky roots of The Band, and the psychedelic Americana of Buffalo Springfield. Praised by Rolling Stone as “divinely inspired” and hailed by the San Francisco Chronicle as “one of the Bay Area’s most beloved live outfits,” the group’s headline and festival performances have become the stuff of legend, earning them slots everywhere from High Sierra to Outside Lands alongside dates with the likes of Johnny Cash, Lucinda Williams, Wilco, and The Black Crowes.

Written and recorded through the heart of the COVID-19 pandemic, the band’s new album, Glowing Lantern, is a work of great comfort and companionship, even as it grapples with the deep anxiety of these profoundly uncertain times. The songs are weighty, abstract ruminations wrapped in unflagging optimism, bittersweet streams of consciousness delivered with a palpable sense of camaraderie and brotherhood. Glowing Lantern is as collaborative a record as the band has ever made, and it’s impossible not to feel the joy and gratitude radiating out of it like a beacon in the night.

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ABOUT MAGGIE ROSE 

Maggie Rose is a Nashville-based singer/songwriter who has dreamed up her own unbridled collision of rock n’roll, soul, folk, funk, and R&B. Have a Seat, her third full-length studio album produced by Ben Tanner of The Alabama Shakes, was recorded at FAME Studios in Muscle Shoals, AL, and named by both Rolling Stone and American Songwriter as one of the best albums of 2021.

Since her breakout, Rose has been attracting a die-hard fanbase that has helped her earn a place on coveted tours with a diverse collection of artists including Kelly Clarkson, Heart, Joan Jett, Marcus King, The Mavericks, Fitz & The Tantrums, Kingfish, and The Revivalists. She has also performed at iconic festivals such as Austin City Limits, Bonnaroo, Americana Music Festival, Country Thunder, Newport Folk Fest, Peach Fest and has performed at the Grand Ole Opry over 100 times.

Rose also hosts her own podcast, Salute The Songbird which is now in its 4th season. In each episode, Rose engages in candid conversations with her female musical heroes covering an array of topics with musical icons like Heart’s Nancy Wilson, Halestorm’s Lzzy Hale, Martina McBride, Yola, Ashley McBryde and more.

Fans can expect Rose’s new full length album, produced by Ben Tanner of the Alabama Shakes, to drop in 2023.

"She stopped waiting for her invitation and finally pulled her own chair up to the table of industry gatekeepers." 

- American Songwriter 

“It’s not just that the new music is more textured and complex, or that her vocals soar with greater authority, which they do, it is really about Maggie Rose having found her own lane, her own groove.”

  - Forbes

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ABOUT ROBERT WAGNER

Robert Wagner's 'Black Crowes Experience' bring the greatest songs from the legendary American Rock Band's extensive catalogue to life with epic ferocity, loving reverence, and truly stunning musicianship. The band is an absolute All-Star line-up of the cream of Austin Texas-based talent, a muscular 9-piece band assembled from regional luminaries SUEDE, Cari Hutson & Good Company, The Reverent Few, and Rising Sons. 'Live' the band combines soaring melodies, seamless harmonies, massive grooves, and searing guitar solos all while holding the pedal to the dance floor accelerator. It's an aural celebration for all the senses...a true *celebration* of the music of the BLACK CROWES!

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ABOUT CHURCH OF CASH 

“If there is anyone truer to the music and spirit of Johnny Cash, you’d have to prove it to me.”        Jamie Winpenny, Honolulu Weekly

Jay Ernest formed Church of Cash in sunny Honolulu back in 2010. With an uncanny grasp of the Man in Black’s catalog and many years of experience touring the United States, Europe, and Asia, Jay has returned to his Minnesota home to spread the gospel of one of the world’s most important and enduring songwriters.

The Church of Cash is true to the music of Johnny Cash, and singer Jay’s deep baritone voice sings like a prairie breeze and stomps like a boot heel. Church of Cash is not a country band. Church of Cash is a tribute band with the express purpose of honoring the indelible legacy of Johnny Cash. Road-tested and always road-ready, The Church of Cash is celebrating the soul of American music.

Whether you are an old timer that grew up listening to Mr. Cash in your tractor or a young soldier driving your tank across the deserts of the Middle East with the Man in Black in your headphones, the Church of Cash will bring his music, with style and energy to fans everywhere.

What the Church of Cash has that no one else can match is their loyalty to the song and the message that Johnny left to all of us. The band merely keeps this word alive with a youthful spirit that has entertained audiences completely.

Reviews

“With Church of Cash, Jay Ernest channels the spirit of the Man in Black to delight audiences with a mix of Cash classics and lesser-known pieces.”

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ABOUT DAVID RAMIREZ

“David Ramirez has a voice like a tall tale, one minute strong and thick, the next threadbare and careworn.” — Stereogum

“Mr. Ramirez is a resolutely hesitant singer, never pushing his hurt, letting it instead decay him from within.” — The New York Times

“It's not easy for a writer to maintain the aura of the unspoken in a song. Music and the space surrounding it intensify the impact of confession; the true challenge comes in giving voice to a narrator who's tongue-tied, or simply reticent. Texas singer-songwriter David Ramirez does so beautifully…” — NPR Music

“Quietly mesmerizing” — The Wall Street Journal

“A powerful voice and perceptive pen” — Austin Chronicle

How do you write love songs when you’re heartbroken? How do you sing about hope and passion when yours is lost? How do you finish an album when the relationship that inspired it has ended.

During the Summer of 2017, David Ramirez had fallen in love with a woman who, despite having only just met, felt incredibly familiar to him. There was a scary but comfortable feeling of deja vu within their moments together. “In past relationships, no matter how eager I was to feel loved and to give love, there had always been a hesitation to crawl out of my old life. I didn’t feel this with her,” he recollects.

Ramirez began to pen songs for his next album and hopeful odes to new love spilled out. Songs like “Lover, Will You Lead Me?” filled with vivid images from the heart: I recognized you from some distant dream / Like when it rains on a cold day / I had a chill in my bones / Is it true what they say / “When you know, you know.”

These were followed by sultry, romantic ballads about how love matures and grows. He wrote “I Wanna Live In Your Bedroom” while sitting on his lover’s bed just minutes after waking up on a hazy fall day. “I was looking around at all the perfectly curated pieces in her room,” he says. “Everything was so intentional and held a story and a place in her heart. I wanted to be one of those pieces.”

One after another, Ramirez poured his soul into a new work of art that covered both the sweet parts of love and the hard times it can bring. He wrote about potential, survival, hope, and encouragement. He wrote about partnership.

But art is often bred from spontaneity and suffers under the confines of routines and borders. This is a conflicting dynamic that can cause massive problems when you’re building a partnership, when you’re part of a team. A seeming “whatever” attitude can foster insecurity and doubt in a lover. As more and more troubles emerged in his relationship, Ramirez found solace still at the tip of his pen, holding his guitar, sitting at his piano.

“I was born in August of 1983 just days after Hurricane Alicia had hit my hometown of Houston. As my relationship began ripping at the seams, I started to think of this storm as a precursor to my being born,” Ramirez confides. “Was there something in the universe that imprinted a characteristic of chaos in my blood during my last few days in the womb? Was I destined to wreak havoc everywhere I went?”

Soon, the relationship that had inspired a new burst of creativity in Ramirez and moved him to start writing an album unlike any he had ever attempted before, came to an end. And with that ending, he still had one last song to write. His heart exhausted, he sat on his patio one night and tried to process all of the lyrics that he knew he had written, yet now left him feeling like a stranger to his own story. Through tears and muffled whimpers, he started to write down all of his negative thoughts about love and put the pain of his broken heart into words. From this emotional purge, he began to see the beauty in what he had gone through: the struggle, the pain, the confusion. He soon found himself writing the lyrics that would become album standout “Hallelujah, Love Is Real!”

“I was reminded of a great line in the film Vanilla Sky, ‘The sweet is never as sweet without the sour.’ I decided to celebrate Love,” he explains. “I wasn’t gonna write about how it made me feel in that moment. I was going to write about its existence and how thankful I am having known it.”

This chapter of Ramirez’s life came to a close in the form of his forthcoming 10-song set, My Love Is A Hurricane, recorded with producer Jason Burt at Modern Electric Studios in Dallas, TX. For the first time in his career, he did no pre-production ahead of time, working from gut feelings throughout the process and spending most of his time in the studio on the edge of his seat. The resulting R&B-influenced, piano-driven production is highlighted by heavy basslines and synths with the occasional gospel backing. This experimentation with new melodies and rhythms places Ramirez’s deeply personal songwriting on top of dreamy, groove-driven landscapes that heal the heart and promote positivity while prompting listeners to want to sing (and dance) along.

My Love Is A Hurricane is Ramirez’s fifth full-length record and eighth collection of songs. Early albums like American Soil (2009) and Apologies (2012) put him on the map both locally and beyond, while his STRANGETOWN (2011) and The Rooster (2013) EPs delivered fan-favorite recordings, “Shoeboxes” and “The Bad Days respectively, that are staple singalongs at his concerts to this day. He made his Thirty Tigers debut with 2015’s FABLES, produced by Noah Gundersen, which features his most widely received single to date, “Harder to Lie.” While this earlier work landed Ramirez firmly in the singer/songwriter canon, a need to do more exploring sonically led to the expansive sound of his most recent album, We’re Not Going Anywhere (2017). Influenced by ‘80s bands like The Cars and Journey, it is lyrically reflective of the country’s intense political landscape framed from his perspective as a bi-racial American of Mexican heritage.

As songwriters evolve as people, so does their art, and that could not be more apparent than on Ramirez’s newest offering. The soundscapes utilized on My Love Is A Hurricane may be unlike any recording he has previously crafted, but it's not a departure from his journey. It's a new path created in order to tell a new story. A new canvas needed to hold the scene that his intensely personal lyrics are painting.

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ABOUT Kolton Moore 

Kolton Moore & the Clever Few have been paying tribute to country rock's timeless traditions since 2012, lending rootsy textures to songs about love and hard living.

Their songs have collected more than 50 million streams on Spotify since 2016, "What Brings Life Also Kills" was introduced to the world by 2021 American Idol winner Chayce Beckham, and "Peace in the Pines" was featured as the closing song in the season 4 finale of the hit TV show Yellowstone.

Vocals, Guitar / Kolton Moore
Lead Guitar / Ryan Wilcox
Bass / Ricky Harris
Drums / Aaron Dowd

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ABOUT JELLY 

Claiming Texas home for the last nine years and originally from Asheville, North Carolina, Jonathan “Jelly” Ellington, has been courageously crafting his unique sound as an American guitarist, singer, and songwriter since first picking up the guitar at age seven. An electrifying fusion of impassioned vocals and vivacious guitar playing, Jelly delivers his Blues-centric Rock and Roll by way of his dynamic stage presence and evident classical training. The inspirational spark was first ignited at a young age after seeing the Los Angeles Guitar Quartet. Since that moment, Jelly picked up the nylon string classical guitar and studied and trained only classical music until the age of 14, when he was introduced to the electrifying musical prowess of Led Zeppelin. The segway between Jimmy Page’s classical approach to songwriting and guitar playing is what led to Jelly’s passion for going full electric Rock and Roll. Attending hometown hero Warren Haynes’ Annual Christmas Jams in Asheville, with his Dad, he became even more influenced to meticulously craft his musical destiny. 

Making the move to the Lone Star State in 2011 with a Rock band call Treetop Sailors, Jelly authentically incorporated himself into the Austin music scene with local groups such as Candi & The Muthaload, The Warplanes, MC Overlord, and even touring with a few Country acts out of both Austin and Nashville. Since 2016, Jelly decided to fully hone into creating a name for his own sound, dedicating his time and energy to his solo pursuits. Having shared the stage with Grammy Award-winning artists and Texan icons alike, there is no wonder he was voted in the Top 10 “Best Guitarists” in the Austin Chronicle’s Austin Music Awards in both 2018 and 2019. 

Following his first album All In, Jelly is currently fresh off the release of his full-length sophomore album Not All Who Wander Are Lost. A genuine testament to the finesse of this craftsmanship over the years, Jelly and his band (composed of his brother, Andrew Ellington on drums, Stefan Ringer on bass, and Cole Gramling on piano, clavinet, and organ) have birthed a truly delectable union between Texas Blues and his Appalachian roots. Jelly Ellington says it best himself “My mission with this project is to carry the torch of Rock and Roll, particularly guitar-driven Blues Rock. To take what I have learned from classic rock bands and guitarists, and push it forward with my own spin on it to continue making it relevant in today's age. I want to inspire the younger generation of guitar players and musicians to play guitar, start bands, get off their phones, and make people feel happy and liberated with their music.” Check out the spirited Blues-Rock band on all streaming platforms and playing at regional venues near you!

ABOUT JELLY'S 10TH ANNUAL CHRISTMAS JAM 

Jelly's 10th Annual Christmas Jam benefiting Austin Firefighters Relief & Outreach Fund. Sponsored by 512 Radio with performances by Sisi, Cowboy Diplomacy, Jelly Ellington. Featuring special guests Eric Tessmer, Nikki Glaspie, The Watters, Brodie Lane, and more.

“Since the first Jelly’s Christmas Jam in 2012, Featured artists and special guests have helped raise over $10k for Central Texas non-profits.”

More info on Austin Firefighters Relief & Outreach Fund:

The Austin Firefighters Relief and Outreach Fund provides immediate financial assistance to firefighters and their families impacted by an unexpected injury, illness, or death. Additionally, the “Fund” provides assistance to citizens of Travis and surrounding counties who experience a major catastrophe involving fire, flood, tornado and other natural disasters.

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ABOUT ERIC HUTCHINSON

The inspiration for Eric Hutchinson’s new group sing-along album dawned on him one night during lockdown, while he was belting out “The Wheels On The Bus” at the dinner table for the umpteenth time with his toddler daughter.

“Kids songs can get a bit… mind-numbing,” the veteran singer/songwriter says with a smile. “But that night, I was watching my daughter light up as she was happily singing and clapping, and it struck me that our first musical instruments are our hands and our voices. I started thinking about the joy that comes from singing in a group, all together as one.” Suddenly, Eric was thinking about making music for everybody to sing along with, not just kids.

The result: SING ALONG! with Eric Hutchinson - six new, original, gospel-inspired folk and protest songs that feel instantly timeless. “I believe that anybody with a voice can sing,” Eric says. “Using your voice is powerful and the fun of making music and singing together in harmony can be universally healing and unifying. It’s been a hard few years for everyone. Since I was a kid, what I’ve always done to heal in any times of distress, was to sing.”

SING ALONG! with Eric Hutchinson is the artist’s eighth studio release and his first new work since the fierce global reckoning with racism that was illuminated by the historic actions of the Black Lives Matter movement. “I grew up in a diverse suburb of Washington D.C., surrounded by people of all colors, speaking multiple languages,” Eric says. “So I was ashamed to learn how many blind spots I still have. The past few years have opened my eyes, in new ways, to how so many people, especially those of color, are marginalized and robbed of their basic civic rights.”

Eric’s new collection of songs touch on togetherness, tolerance, inclusivity, progress, and justice. “These themes felt like the only thing I could possibly write about right now,” he says.

Songs like “Everybody’s Gotta Beating Heart” and “Right Side of History” are melodious folk-soul grooves that find Eric examining our basic rights as human beings, and what our personal actions mean in the long-term. “The Littlest Candle” and “Hey Look I Found It! (My Inner Peace)” are joyful tracks, meant to inspire and build up the listener toward progress. “Pick Up The Pace” is a witty protest song about the realities of climate change. The album closer “Sing Along With Me”, is a simple, soulful ode to the power of singing when nothing seems to be going your way.

Together, the songs create a guiding force that is schooled in the traditions of American folk music. SING ALONG! was heavily inspired by Black artists like Sister Rosetta Tharpe, Big Bill Broonzy and Elizabeth Cotten, as well as the recorded works of Alan Lomax, an American ethnomusicologist, best known for his numerous field recordings, which played an important role in preserving the folk music traditions of the early 20th century.

“I kept noticing how little the job description of a folk singer has changed in a century,” Eric notes. “These artists were talking about the same timeless themes that still haunt our culture - race and injustice, love, and peace. I was inspired to try writing songs that were bigger than me, and that could be performed specifically by a group of people that I could be a part of.”

In early 2022, Eric assembled an elite and diverse eight-member band of musicians to perform and record his new project, live in the studio. He recruited Clyde Lawrence on keys, Ian Allison on bass, Jimmy Coleman on percussion and Wayne Tucker on trumpet, plus vocalists Caleb Hawley, Melanie Nyema, and Veronica Frommer-Stewart. The group united in NYC’s Lower East Side, in the middle of a blizzard, to make music in person, together, and document the party. “I was determined to make the album totally live and with no headphones. Just musicians in a room, making music together. A very antique idea these days,” Eric says with a laugh. “I loved the idea of setting up a few microphones and recording something live and true - with no edits, no tricks, and nowhere to hide as a songwriter and a performer.”

For good measure, a camera crew was brought in and filmed the recordings so that listeners can also watch the entire album being made and performed. “There was a lot of planning and Zoom rehearsal before the recording session. The Omicron surge made everything more complicated, but when we finally arrived all together in the studio, it was magical,” Eric recalled. “It was the best time and it went by in a blur. I kept having to force myself to take a breath and really revel in the moments and the energy of all these wonderful people who had agreed to help me create new music. My friend Mike was there and he described it as ‘happiness, recorded.’”

The songwriting and musicianship of SING ALONG! continues Eric’s recent trend of exploring across musical genres, as he tries to make sense of the world around him. After his early pop escapades, including his 2008 debut Sounds Like This, (which featured his gold record single “Rock & Roll”) and 2014’s Pure Fiction, his more recent releases have experimented with Americana-soul (2018’s Modern Happiness), alternative rock (2020’s Class of 98), and jazz (2021’s Before & After Life). “I love all kinds of music,” Eric says. “I think every genre has something interesting and special to celebrate.”

Eric hopes that his new songs and his own examination of his place in this world will inspire others to look inward and at the community around them. “I don’t claim to have the answers and I know that my music won’t solve our problems,” he says. “But I am hopeful these songs will lift the listener, and invite the listener to celebrate diversity, look around at the injustices currently present in life, and question how he, she or they might make even the smallest difference in the name of good.”

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