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[/et_pb_acf_single_item][et_pb_acf_single_item field_name="Event Details|show_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Show Time" module_class="show-time" _builder_version="3.18.4" global_colors_info="{}"]
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ABOUT STARS 

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[/et_pb_post_title][et_pb_code admin_label="Billing Below" _builder_version="4.17.0" z_index_tablet="500" global_module="91245" saved_tabs="all" global_colors_info="{}"][wbcr_php_snippet id="91136"][/et_pb_code][et_pb_post_title title="off" meta="off" admin_label="Image" _builder_version="4.16" global_colors_info="{}"]
[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all" global_colors_info="{}"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="4.17.0" z_index_tablet="500" global_module="91327" saved_tabs="all" global_colors_info="{}"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.17.6" global_colors_info="{}"][/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500" global_colors_info="{}"]
[/et_pb_acf_single_item][et_pb_acf_single_item field_name="Event Details|show_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Show Time" module_class="show-time" _builder_version="3.18.4" global_colors_info="{}"]
[/et_pb_acf_single_item][/et_pb_column][et_pb_column type="3_5" _builder_version="4.16" custom_padding="|||" global_colors_info="{}" custom_padding__hover="|||"][et_pb_text admin_label="Headliner Bio" _builder_version="4.17.6" z_index_tablet="500" global_colors_info="{}"]

ABOUT BOY NAMED BANJO 

In a time when the popular choice is to chase the double yellow line down the road to country radio, Boy Named Banjo thrives on its fringes. The Nashville-raised five-piece is a fusion of contemporary country, Americana and folk-rock stacked on a foundation of bluegrass. The band, which has been together in some iteration since members were inhigh school, includes Barton Davies (banjo), Ford Garrard (bass/standing bass), Sam McCullough (drums) Willard Logan (mandolin, acoustic/electric guitar) and William Reames (acoustic guitar/harmonica). Reames and Logan played in a middle school garage rock band together, but it wasn't until Reames met Davies in high school that Boy Named Banjo started taking shape. Garrard and McCullough joined later andtogether the five guys comprise the band Boy Named Banjo that we know today. Boy Named Banjo has crafted a sound that incorporates an energetic blend of country, bluegrass, alt-rock, and folk-pop telling their stories through an honest, emotional,roots-driven perspective. In April 2020, Boy Named Banjo signed a record deal withMercury Records Nashville and released their debut EP, Circles, the following year. The band is currently in the studio writing and recording new music as well playing some of country music’s largest festivals as they prepare to head out on the road this fall as direct support to multi-PLATINUM singer/songwriter, Kip Moore on his Fire on Wheels Tour. For more information, visitboynamedbanjo.com

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[/et_pb_post_title][et_pb_code admin_label="Billing Below" _builder_version="4.17.0" z_index_tablet="500" global_module="91245" saved_tabs="all" global_colors_info="{}"][wbcr_php_snippet id="91136"][/et_pb_code][et_pb_post_title title="off" meta="off" admin_label="Image" _builder_version="4.16" global_colors_info="{}"]
[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all" global_colors_info="{}"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="4.17.0" z_index_tablet="500" global_module="91327" saved_tabs="all" global_colors_info="{}"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.17.6" global_colors_info="{}"][/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500" global_colors_info="{}"]
[/et_pb_acf_single_item][et_pb_acf_single_item field_name="Event Details|show_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Show Time" module_class="show-time" _builder_version="3.18.4" global_colors_info="{}"]
[/et_pb_acf_single_item][/et_pb_column][et_pb_column type="3_5" _builder_version="4.16" custom_padding="|||" global_colors_info="{}" custom_padding__hover="|||"][et_pb_text admin_label="Headliner Bio" _builder_version="4.17.6" hover_enabled="0" z_index_tablet="500" global_colors_info="{}" sticky_enabled="0"]ABOUT BETTY SOO 

Raised outside Houston by Korean immigrant parents, BettySoo grew up on the Great American songbook, country radio, and the legacy of Texas song. 2009’s “Heat Sin Water Sin,” produced by Gurf Morlix (Lucinda Williams, Ray Wylie Hubbard, Slaid Cleaves), built her international audience, with 2014’s “When We’re Gone,” with Brian Standefer (Alejandro Escovedo), placing her firmly in the first rank of songwriters.  Her songwriting collaboration with Rebecca Loebe and Grace Pettis led to their forming the beloved trio Nobody’s Girl, with a celebrated eponymous release from Lucky Hound Music.

Betty Soo has won the awards: Kerrville, Big Top Chautauqua, Sisters, Mountain Stage; played the festivals: multiple SXSW’s, Kerrville, Calgary; done the radio shows: E-Town, Mountain Stage, Wood Songs, BBC2 Bob Harris.  In the musical fantasyland of Austin, she’s known as an A-list harmony vocalist and arranger, whether for the live stage or a studio session, backing up artists like Eliza Gilkyson, James McMurtry, Bonnie Whitmore, Charlie Faye, and others.  During the pandemic lockdown, she cut a distinctive path through the streaming landscape with her unique Nobody’s Happy Hour zoom shows.

Betty Soo tours nonstop; these days you’ll find her on the road both solo and as first-pick support for artists like James McMurtry and Chris Smither.  As always, Betty Soo’s approach invites authentic connection, fosters compassion, and merits listening.[/et_pb_text][et_pb_video src="https://www.youtube.com/watch?v=VUaCRto-5w4" _builder_version="4.17.6" global_colors_info="{}"][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section]

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[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all" global_colors_info="{}"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="4.17.0" z_index_tablet="500" global_module="91327" saved_tabs="all" global_colors_info="{}"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.17.6" global_colors_info="{}"][/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500" global_colors_info="{}"]
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[/et_pb_acf_single_item][/et_pb_column][et_pb_column type="3_5" _builder_version="4.16" custom_padding="|||" global_colors_info="{}" custom_padding__hover="|||"][et_pb_text admin_label="Headliner Bio" _builder_version="4.17.6" z_index_tablet="500" global_colors_info="{}"]

ABOUT AL STEWART 

After Al’s US tour in 2019 with his band The Empty Pockets, he spent most of2020 and 2021 sidelined due the COVID-19 pandemic. But in 2022, he came back full force with a string of sold out shows in the United States and United Kingdom, and he even made his debut in Israel. In 2023, he’ll continue his trek with several shows throughout the United States. He will be playing his old favorites, like Year Of The Cat, Time Passages, On the Border, Nostradamus and Roads To Moscow, along with selections from his deep catalogue.

The Scottish-born singer-songwriter has released nearly 20 introspective and lyrically powerful records featuring brilliant backing musicians (Jimmy Page, Phil Collins, Richard Thompson, Peter White, etc.). His biggest platinum successes, “Year Of The Cat” and “Time Passages”, were released in 1976 & 1978 respectively. He’s had several top 20 singles, including the above-mentioned titles, as well as “On the Border” and “Song On The Radio”.

In Al’s own Words: “I'm just a folk singer that is interested in history and wine that got lucky with some hit records! It's as simple as that really. I was always a huge music fan and originally, I had wanted to be Brian Jones and then Bob Dylan, but those two jobs were already taken. And in many ways, I'm still pretty much the same troubadour that I was back in 1965. I still get a kick out of hearing the Zombies, Hendrix or They Might be Giants on the radio.

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[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all" global_colors_info="{}"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="4.17.0" z_index_tablet="500" global_module="91327" saved_tabs="all" global_colors_info="{}"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.17.6" global_colors_info="{}"][/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500" global_colors_info="{}"]
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ABOUT NICK HAKIM

Nick Hakim arrived during the mid 2010s with a dazed folk-soul hybrid sound rendered psychedelic by an event affinity for echo. Signed to the ATO label shortly after he made his recorded debut, the earnest singer/ songwriter and guitarist released his first album, Green Twins, in 2017. Since then, he has issued Will This Make Me Good (2020) and Cometa (2022). as well as the intermediary Small Things, a collaboration with saxophonist/ poet Roy Nathanson. 

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[/et_pb_acf_single_item][/et_pb_column][et_pb_column type="3_5" _builder_version="4.16" custom_padding="|||" global_colors_info="{}" custom_padding__hover="|||"][et_pb_text admin_label="Headliner Bio" _builder_version="4.17.6" z_index_tablet="500" global_colors_info="{}"]

ABOUT THE SADIES

Colder Streams is, by far, the best record that has ever been made by anyone. Ever.

As we all know, the ‘press release’ is a tool meant to announce and promote a new recording project. A jaded and unreliable sales-pitch at best, the usual ‘bio’ invariably attempts to describe the project in question as some sort of second coming. But how do you sell sounds? The critics’ voice must be heard at all costs, but this is something else entirely. Obviously, this is an ad. 

Knowing what you’re getting is all anyone really wants to know. The details of how the recording is made might be interesting, but they aren’t exactly crucial to the listening process. In our case, comparisons can be misleading too, because The Sadies don’t really fit tidily into any genre, or even sub-genre. We aren’t really ‘pre or post’ anything and we don’t have the right hair-cuts or hats for any particular scene. Can’t really call us modern or retro either. We certainly don’t claim to have re-invented the wheel. We just are. And have been for a very long time. So, all that matters is the music itself, right?

After making so many records, some things get easier. Most things do not. But just because it’s harder doesn’t mean it isn’t better. I think it’s gotten easier to know when we are on to something and that’s in no small part due to working with Richard Reed Parry (Arcade Fire/Belle Orchestre) as producer. We put in a lot of hard work but he always made it easy and fun. This is, of course, totally irrelevant to your listening experience.

We began this recording well over a year before the plague began and completed it in June 2021. The studio we worked at in Quebec is perfectly calibrated to our claustrophobia. It was mostly engineered by Pietro Amato (Belle Orchestre/etc.), who is great at everything he does when he’s not doing something else. Jon Spencer (Jon Spencer!!!) was kind enough to intervene and rescue a song for us. My folks play on it. There was a church™ involved. Curfews were broken. Borders were crossed stealthily. Sean did all of the artwork. Travis and Mike did a lot of driving. I did the bio.

Colder Streams is a record made with love by loved ones. The Sadies have released a lot of records. This is one of them.

Do any bands make their best work this far along in their career? I can think of artists who still make great music after all these years, but their best? Yet, here we are and that’s what I’m accusing us of. I think it’s our best but I’ve been wrong before. All I ask is that you listen to a few songs and decide for yourself what it sounds like. If you like it, you’ll know what to do. But my description of the music would just be punishing for the both of us.

I guess all that really needs to be said here is that if you like The Sadies, you will definitely want to get Colder Streams. If you disliked or felt indifferent towards The Sadies, you will definitely want to get Colder Streams. If you’ve never heard The Sadies and yet you’re still reading, you too will definitely want to get Colder Streams.

But unfortunately, it’s sold out.

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ABOUT WILDER WOODS 

Bear Rinehart unveiled Wilder Woods in 2019, releasing a neo-soul record that focused on new beginnings: the advent of fatherhood, the launch of his solo career, and the updated branding of a longtime bandleader who'd decided to expand his reach. With FEVER / SKY, he widens Wilder Woods' cinematic sound while celebrating the parts of himself that made him most proud.

It's a personal, poignant record whose songs focus not upon the horizon ahead, but upon the road itself, stacked high with heartland hooks, western wooziness, southern soul, and festival-worthy anthems. "I've been in a band for 20 years, and a band is a democracy where you make decisions together," explains Rinehart, who also fronts the Grammy-nominated, chart-topping band NEEDTOBREATHE. "Wilder Woods is a different outlet. I'm giving myself the freedom to do what I want to do and say what I want to say. This isn't the kind of journey where I'm worried about the places I'm headed or the places I've left; it's a journey where I'm just happy to be in the car, driving forward."

Created alongside producer Cason Cooley, guitarist Tyler Burkum, and a small group of collaborators, FEVER/ SKY brims with the insights of a family man and road warrior who's spent two decades on tour, balancing his art with his commitments at home.

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ABOUT CARLIE HANSEN 

With each emotional, introspective pop song she shares with the world, Carlie Hanson reveals a little more of the out-of-placeness that has dominated her headspace over the last few years. That feeling—foggy, yet all-consuming—hangs heavy over the 22-year-old singer/songwriter’s sophomore album Wisconsin, a deeply personal collection of songs detailing the homesickness that has plagued her since moving to Los Angeles from the home state that gives the record its title. La Crosse, Wisconsin is where Hanson fell in love with music. Her sister blasted Avril Lavigne and Evanescence in the car, and at the age of 9, Carlie started posting covers on YouTube. Eventually, on a whim, she filmed a clip of herself singing in her car and, to her astonishment, it went viral. Producers took interest and she recorded some demos, including “Only One,” which Taylor Swift included on her list of favorite songs in 2017. At 17, Hanson moved to Los Angeles. Despite early success with self-released EPs and her acclaimed debut album, Tough Boy, she felt out of place. Changing the trajectory of your career is a process, and Hanson documents much of it on Wisconsin. There are, however, glimmers of hope. The title track, for example, is about recalibrating how she feels about moving across the country. As Hanson becomes more confident in her artistry, she brings a little piece of the Midwest to Los Angeles, song by song. 

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ABOUT BENISE FIESTA

It’s one hot night as Benise, “The Prince of Spanish Guitar,” and his Emmy Award winning production come to town as part of his global tour. Armed with his Spanish guitar, Benise will take the audience on an unprecedented and epic adventure through Spanish Flamenco, Cuban Salsa, Brazilian Samba, Parisian Waltz, exotic drumming, and more!

‘The Prince of Spanish Guitar’  - Dancing With The Stars
‘Bennissimo!’ - Chicago News
‘Extreme Flamenco Fusion’ - Screen India

FIESTA! showcases songs from Benise’s 7th PBS Special. Performing classic Rock anthems from Led Zeppelin and AC/DC and fusing them with Spanish guitar and dance to bring a fierce intensity to these new interpretations. In addition, Benise adds his signature touch to classics such as “Ave Maria, “Moonlight Sonata,” and Vivaldi’s “Summer” from The Four Seasons.

For Benise, music has always been a journey. From his humble beginnings as a street performer, to being featured on the #1 rated show in the USA – Dancing With The Stars, and performing around the world. “I wanted to push the boundaries of Nuevo Flamenco/Spanish guitar while combining the elements of dance and theater. This show is a celebration of all the shows we’ve done over the last 20 years,” comments composer, virtuoso guitarist and creative force behind the event, Benise.

The Emmy Award-winning composer along with an international cast of musicians and dancers will entertain audiences with a two-hour show that “is an escape from all their problems,” Benise says. “Much like the recent PBS special, with this show I want to take the audience on an escape to Spain…to a beautiful Spanish courtyard filled with Flamenco dancers, stunning costumes, and fiery Spanish guitars. BENISE adds, “This is a great show for the whole family; I really think we have something for everyone.  I hope people will be inspired by our story, by the music, by the production--and have the passion to follow their own dreams. I have always loved to travel, my heritage is Bohemian (from Prague), so I think it’s in my blood. I can’t wait to go to new cities, meet new people, and play every night--it’s what I live for.”

The Theatrical World Music and Dance spectacle that has been called “The Latin Riverdance”

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ABOUT BENISE FIESTA

It’s one hot night as Benise, “The Prince of Spanish Guitar,” and his Emmy Award winning production come to town as part of his global tour. Armed with his Spanish guitar, Benise will take the audience on an unprecedented and epic adventure through Spanish Flamenco, Cuban Salsa, Brazilian Samba, Parisian Waltz, exotic drumming, and more!

‘The Prince of Spanish Guitar’  - Dancing With The Stars
‘Bennissimo!’ - Chicago News
‘Extreme Flamenco Fusion’ - Screen India

FIESTA! showcases songs from Benise’s 7th PBS Special. Performing classic Rock anthems from Led Zeppelin and AC/DC and fusing them with Spanish guitar and dance to bring a fierce intensity to these new interpretations. In addition, Benise adds his signature touch to classics such as “Ave Maria, “Moonlight Sonata,” and Vivaldi’s “Summer” from The Four Seasons.

For Benise, music has always been a journey. From his humble beginnings as a street performer, to being featured on the #1 rated show in the USA – Dancing With The Stars, and performing around the world. “I wanted to push the boundaries of Nuevo Flamenco/Spanish guitar while combining the elements of dance and theater. This show is a celebration of all the shows we’ve done over the last 20 years,” comments composer, virtuoso guitarist and creative force behind the event, Benise.

The Emmy Award-winning composer along with an international cast of musicians and dancers will entertain audiences with a two-hour show that “is an escape from all their problems,” Benise says. “Much like the recent PBS special, with this show I want to take the audience on an escape to Spain…to a beautiful Spanish courtyard filled with Flamenco dancers, stunning costumes, and fiery Spanish guitars. BENISE adds, “This is a great show for the whole family; I really think we have something for everyone.  I hope people will be inspired by our story, by the music, by the production--and have the passion to follow their own dreams. I have always loved to travel, my heritage is Bohemian (from Prague), so I think it’s in my blood. I can’t wait to go to new cities, meet new people, and play every night--it’s what I live for.”

The Theatrical World Music and Dance spectacle that has been called “The Latin Riverdance”

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ABOUT BARTON HILLS CHOIR

The Barton Hills Choir is a youth chorus from Austin, TX that specializes in music of the Grateful Dead, The Beatles, and other classic rock artists and is accompanied by local Austin musicians.

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ABOUT HALEY REINHART 

A timeless voice outlasts eras. It feels just as at home in the sixties as it does in the TikTok age. It also resounds louder as time goes on. Haley Reinhart brandishes such a voice. The expansive scope of her range comes into full focus on her 4th album, Lo-Fi Soul. In many ways, Haley began working towards this album and her artistry as a child. Mom and dad share a "Midnight Band," and unsurprisingly, their daughter would sing before she could talk. She spent countless hours engaged in rhyming games with her mother or locked into a call-and-response as a baby with her father.

In 2009, Haley was the first songstress ever to join her high school jazz band where they performed at both Montreux and Umbria jazz festivals. Her fascination with all things classic continued as she became a fan of The Beatles and Janis Joplin, to Ella Fitzgerald and Sly & The Family Stone. These influences also led her to record a full album at Sunset Sound, paying homage to classic rock and pop hits from the late sixties titled, What’s That Sound. Haley plays regularly with Robby Krieger of The Doors among other rock legends; she continues to keep her rock 'n' roll roots intact.

The gold-certified Chicago-born/Los Angeles-based singer and songwriter exudes an empowering level of charisma and confidence earned by a quiet, decade-long grind. Haley landed third place and became a fan favorite on season 10 of American Idol. She recently returned to AI, this time as a mentor, coaching contestants singing in the Soul Genre. Her dynamic presence powered four solo albums— Listen Up! [2012] Interscope Records, Better [2016] Red Dot, What’s That Sound? [2017] Concord Records, and Lo-Fi Soul [2019] on her self-owned label, Reinhart Records. Haley has been known to leave her mark on countless films and commercials singing in the new Mazda ad, Chase Bank, as well as shows including Love Island, Gossip Girl, Nashville, Riverdale, The Wilds, America’s Got Talent, Dancing with the Stars, and the list goes on...

Meanwhile, her take on the Elvis Presley classic, Can’t Help Falling In Love, received a gold plaque from the RIAA and generated over 325 million Spotify streams and 100 million YouTube views within a few years of its release. What started off as a version sung for an Extra Gum Commercial, turned out to be a chart topping-radio hit and touring sensation. Haley’s remake of the song peaked at No. 17 on the Billboard Adult Contemporary chart and No. 31 on the Billboard Adult Pop Airplay chart.

As a sought-after talent, Haley collaborates regularly with Postmodern Jukebox. She is featured on their highest viewed videos on YouTube (over 300 million views). Haley has also dueted with legendary star Jeff Goldblum on two tracks from his chart-topping jazz standards collection, The Capitol Studios Sessions. Haley joined Jeff for an unforgettableperformance on Jimmy Kimmel LIVE!. In 2019, she continued pushing boundaries by lending her voice and songwriting skills to Vicetone’s EDM dance hit, Something Strange as well as an EDM version of Radiohead’s Creep with DJ Naeleck in 2022.

Expanding her oeuvre, Haley voices a young boy named Bill Murphy on the Netflix hit animated series based on comedian Bill Burr’s childhood - F Is For Family (seasons one through five out now). She made her acting debut in the #1 hit Robert Rodriguez film on Netflix titled, We Can Be Heroes, where she plays a superhero whose voice is her power. Haley is not slowing down. You can catch her performance in the refreshing new documentary, 'An Impossible Project.’ And a sequel to We Can Be Heroes is now in the works. Haley’s newest EP, 'Off The Ground,' released worldwide on September 4, 2022.

The extended play features seven original songs all either written or co-written by Haley.Throughout Fall 2022, Haley headlined venues on the first leg of her “Off The Ground” US tour. In Winter 2023, Haley will be off the ground again and back on tour.

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ABOUT SKYROCKET! 

Are you "hungry like the wolf" for some real live entertainment? Look no further. Let SKYROCKET! blast you into the upper limits of the stratosphere with astounding musicianship, effortless charisma, and a fanatical attention to detail that is usually reserved for crazy people. 

Songs are memories. Songs are important. We care about music. A lot.  

That one little part in your favorite song that other bands might not notice...well, we notice it. Who sang that harmony? What guitar did they use to get that sound? If I wear tighter pants will I indeed move like Jagger? We've done the research, and we will show you what we've learned.

Most of our repertoire is from the '70s and '80s (the two best decades for pop/rock in our humble opinion) but we occasionally venture out when it's appropriate. Over the years we've learned close to 500 songs and operate from a rotation of around 100 at a time.

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ABOUT RAYLAND BAXTER 

For the making of his fourth album If I Were a Butterfly, Rayland Baxter holed up for over a year at a former rubber-band factory turned studio in the Kentucky countryside—a seemingly humble environment that proved to be something of a wonderland. “I spent that year living in a barn with the squirrels and the birds, on my own most of the time, and I discovered so much about music and how to create it,” says the Tennessee-bred singer/songwriter. “Instead of going into a studio with a producer for two weeks, I just waited for the record to build itself. I’d get up and go outside, see a butterfly and connect that with some impulsive thought I’d had three months ago, and suddenly a song I’d been working on would make sense. That’s how the whole album came to be.”

The follow-up to 2018’s critically acclaimed Wide Awake, If I Were a Butterfly finds Baxter co-producing alongside Tim O’Sullivan (Grace Potter, The Head and the Heart) and Kai Welch (Molly Tuttle, Sierra Hull), slowly piecing together the album’s patchwork of lush psychedelia and Beatlesesque pop. In addition to working at Thunder Sound (the Kentucky studio he called home for months on end), Baxter recorded in California, Texas, Tennessee, and Washington, enlisting a remarkable lineup of musicians: Shakey Graves, Lennon Stella, several members of Cage the Elephant, Zac Cockrell of Alabama Shakes, Morning Teleportation’s Travis Goodwin, and legendary Motown drummer Miss Bobbye Hall, among many others. In an especially meaningful turn, two of the album’s tracks feature the elegant pedal steel work of his father, Bucky Baxter (a musician who performed with Bob Dylan and who passed away in May 2020). Thanks to the extraordinary care and ingenuity behind its creation, If I Were a Butterfly arrives as a work of rarefied magic, capable of stirring up immense feeling while leaving the listener happily wonderstruck.

Baxter’s debut release as a producer, If I Were a Butterfly bears a dazzling unpredictability that has much to do with his limitless imagination as a collector and collagist of sound. “Sometimes the bullfrogs in the pond outside would pulse in a certain tempo and I’d apply that to a song, or I’d hear a bird chirping and it would inspire me to add harmonica in a particular place,” he says. “I could be walking around this massive building in the middle of the night and the air-conditioning would turn on, and it’d give me the idea to include a synth part that holds a similar note. I’d wait for those moments to happen and whenever I tried to force anything, the music usually rejected it.”

A perfect introduction to If I Were a Butterfly’s elaborate sonic world, the album-opening title track begins with a recording of a Baxter singing at age four, then drifts into a delicately sprawling reverie ornamented with so many lovely details (lavish flute and cello melodies, radiant horns, the hypnotic harmonies of Lennon Stella and Baxter’s girlfriend, Sophia Rose). “I liked the idea of the first voice on the record being me as a little kid, not knowing where I’d be today,” notes Baxter, who embedded newly unearthed audio clips of himself and his older sister Brooke all throughout the album. Graced with the combustible guitar work of his bandmate Barney Cortez, “Billy Goat” kicks up a potent tension with its restless grooves and hot-tempered gang vocals. “It’s a breakup song about being with someone who’s on a different life path—one side wants to influence the other, and inevitably you part ways,” says Baxter. From there, the album takes on a feverish momentum with “Rubberband Man,” a delightfully frenzied track channeling a wild and giddy freedom. “There’s rubber bands all over the property at Thunder Sound—in the earth, in the concrete, used as insulation for the studio,” says Baxter. “I took a mishmash of images in my head and it turned into a song about staying flexible, rolling with the punches.”

In its searching reflection on love and loss and striving for transcendence, If I Were a Butterfly reaches a quietly glorious intensity on “Tadpole”: a piano ballad threaded with childhood memories at turns oddly tender (catching frogs and crawfish in a nearby toxic creek) and nightmarish (hearing the gunshot when an across-the-street neighbor took her own life). And on “My Argentina,” If I Were a Butterfly closes out with a piano-driven and painfully raw outpouring, its starkness intermittently broken by soulful strings and gospel-esque harmonies. “One time at the studio I stayed up all night and played that song maybe 100 times; we ended up using the last take, which was recorded at about five in the morning,” says Baxter. “It’s a song that represents the thoughts one might have about a perfect love life, and I love how it ends the album in a big angelic cloud of reverb.”

For Baxter, the act of self-producing such a sonically and emotionally expansive body of work proved both exhilarating and arduous. “It really wore me out to spend all that time alone at the studio, editing the hell out of this record; my heart definitely suffered,” he says. “But I also had the guidance of my dad, who was in my dreams all the time—if I was moving too fast, I’d hear him telling me to slow down.” Another profound influence on the album-making process: the 2018 deaths of Baxter’s close friends Billy Swayze (a musician whose parents owned the rubber band company that became Thunder Sound) and Tiger Merritt (the vocalist/guitarist for Morning Teleportation, who worked with Swayze in constructing the studio). “Billy and Tiger had been going up there since 2015, and finally they turned it into a legit recording studio,” he says. “It’s a very special place to me, so they’re two of the four angels I decided to dedicate this record to.”

Even in its most somber moments, If I Were a Butterfly wholly fulfills Baxter’s mission of imparting a certain purposeful joy. “It’s been a weird few years, but I think the big picture is for us to just exist and find love and be loved, and try to see that all the daily bullshit is simply bugs on the windshield,” says Baxter. “I hope that this album makes people feel the way I do whenever I listen to my favorite records, and that it gives them a platform to dream on.” 

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ABOUT REBIRTH BRASS BAND 

Just saw THE REBIRTH BRASS BAND, unbelievable. hard as hell, free as a ray of light, there is not a band on earth that is better. stunning.” - Flea, Red Hot Chili Peppers

For almost 4 decades, the Grammy winning Rebirth Brass Band has been “stunning” fans with a fiery live show and a rich musical catalog. Their trademark sound pays homage to the New Orleans brass band tradition while weaving a tapestry that combines elements of jazz, funk, soul, R&B and the sounds from the streets they grew up on. From their legendary 25+ year run of Tuesday nights at the Maple Leaf to stages all over the world, Rebirth is the soundtrack of the Crescent City and her premier musical ambassador.

Founded by brothers Phil and Keith Frazier over 35 years ago, Rebirth began their career playing on the sidewalks of the French Quarter, and quickly landed gigs at second line parades. Those auspicious beginnings have led to thousands of shows to music aficionados everywhere, including heads of state and royalty.

The bands unique “soundtrack of New Orleans” has also garnered admiration from artists of all genres. They’ve shared the stage and collaborated with everyone from the Grateful Dead to the Red Hot Chili Peppers, Maceo Parker, Green Day, U2, James Brown, 311, G-Love, MuteMath, Juvenile, Train, Big Freedia, Ani Difranco, Galactic, Allen Touisant, Neville Brothers, Quincy Jones and Trombone Shorty.

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