[et_pb_section fb_built="1" _builder_version="3.22" background_image="https://3tenaustin.com/wp-content/uploads/2019/06/acl-entry.jpg"][et_pb_row column_structure="2_5,3_5" custom_padding_last_edited="on|phone" _builder_version="3.25" background_color="#ffffff" custom_padding="|2%||2%" custom_padding_tablet="" custom_padding_phone="|5%||5%"][et_pb_column type="2_5" _builder_version="3.25" custom_padding="|||" custom_padding__hover="|||"][et_pb_code admin_label="Billing Above" _builder_version="3.22.2" custom_margin="||0px|" z_index_tablet="500" custom_css_main_element="margin-bottom: 0px!important;" global_module="91263" saved_tabs="all"][wbcr_php_snippet id="91137"][/et_pb_code][et_pb_post_title meta="off" featured_image="off" admin_label="Title" module_class="event-title" _builder_version="3.22.2"]
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[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="3.22.2" z_index_tablet="500" global_module="91327" saved_tabs="all"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.9.4"][/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500"]
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Masks are required and must remain in place unless eating or drinking.

[/et_pb_blurb][et_pb_video src="https://www.youtube.com/watch?v=Z53_L4w0Kmc" _builder_version="4.9.4"][/et_pb_video][et_pb_social_media_follow admin_label="Headliner Social Media" _builder_version="4.9.4"][et_pb_social_media_follow_network social_network="facebook" url="http://www.facebook.com/iamkawehi" _builder_version="4.9.4" background_color="#3b5998" follow_button="off" url_new_window="on"]facebook[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="twitter" url="https://twitter.com/iamkawehi" _builder_version="4.9.4" _module_preset="default" background_color="#00aced" follow_button="off" url_new_window="on"]twitter[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="instagram" url="http://instagram.com/iamkawehi" _builder_version="4.9.4" background_color="#ea2c59" follow_button="off" url_new_window="on"]instagram[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="youtube" url="https://www.youtube.com/channel/UC1F1EVFBl3Kg7_aUvQ-nBOg" _builder_version="4.9.4" background_color="#a82400" follow_button="off" url_new_window="on"]youtube[/et_pb_social_media_follow_network][/et_pb_social_media_follow][et_pb_video _builder_version="4.9.10" _module_preset="default" src="https://www.youtube.com/watch?v=pKvpBbkTqaE" hover_enabled="0" sticky_enabled="0"][/et_pb_video][et_pb_video src="https://www.youtube.com/watch?v=a-OC0hskF68&list=PLJCxo120w9Dug9bvIyT7UZL9zBwTucJNf&index=2" _builder_version="4.9.10" _module_preset="default"][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section]

[et_pb_section fb_built="1" _builder_version="3.22" background_image="https://3tenaustin.com/wp-content/uploads/2019/06/acl-entry.jpg"][et_pb_row column_structure="2_5,3_5" custom_padding_last_edited="on|phone" _builder_version="3.25" background_color="#ffffff" custom_padding="|2%||2%" custom_padding_tablet="" custom_padding_phone="|5%||5%"][et_pb_column type="2_5" _builder_version="3.25" custom_padding="|||" custom_padding__hover="|||"][et_pb_code admin_label="Billing Above" _builder_version="3.22.2" custom_margin="||0px|" z_index_tablet="500" custom_css_main_element="margin-bottom: 0px!important;" global_module="91263" saved_tabs="all"][wbcr_php_snippet id="91137"][/et_pb_code][et_pb_post_title meta="off" featured_image="off" admin_label="Title" module_class="event-title" _builder_version="3.22.2"]
[/et_pb_post_title][et_pb_code admin_label="Billing Below" _builder_version="3.22.2" z_index_tablet="500" global_module="91245" saved_tabs="all"][wbcr_php_snippet id="91136"][/et_pb_code][et_pb_post_title title="off" meta="off" admin_label="Image" _builder_version="3.15"]
[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="3.22.2" z_index_tablet="500" global_module="91327" saved_tabs="all"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.0.2"]

$15.00 ADVANCE // $18.00 DAY OF SHOW

[/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500"]
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Masks required for entry and must remain in place unless eating or drinking.

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The Torres show previously scheduled for April 9, 2020 and rescheduled to October 8, 2020 has now been moved to Friday, October 8, 2021. Tickets purchased for April 9/October 8 will remain valid for October 8, 2021 with no need to repurchase or have them reissued. We apologize for any inconvenience and appreciate your patience, understanding & continued support.

[/et_pb_text][et_pb_text admin_label="Headliner Bio" _builder_version="4.0.2" z_index_tablet="500"]

ABOUT TORRES

A person whose words are so potent that they cause the people and beings around them to vibrate is said to have a “silver tongue.” It’s apt, then, that Mackenzie Scott—who has spent the 2010s making boundary-pushing pop music under her TORRES moniker—has chosen to call her fourth album, and first release on Merge, just that.

Recorded at O’Deer in Brooklyn, New York, Silver Tongue is a full-scale realization of the world Scott has created over TORRES’ last few albums. Even when singing in more subdued tones, Scott’s voice is fervent, her lyrics stirring and unyielding as she draws from both the divine and the everyday.

It’s also the first TORRES record produced solely by Scott. After having shared production duties on her first three albums, the latter two alongside PJ Harvey collaborator Rob Ellis, she found the process liberating: “I made exactly the record I want, and it feels very  ‘me.’”

Silver Tongue fastidiously chronicles the impulses that make up desire—from the dreamy first blushes of infatuation through the slightly terrifying wonder that accompanies connection with another. In between, Scott wrestles with the highs and lows of what “being in love” might mean over heady guitars and swirling synths. This is immediate in album opener “Good Scare,” which details the courage one finds when chasing the person of one’s dreams: “When you said you couldn’t swing it, you gave me a good scare for a minute there / I had never seen that look from you before / You were eyeing all the exits.”

While potent vocal hooks punctuate songs like the sparkling “Dressing America,” which combines New Wave glitter with hovering frustration, and the brooding “Good Grief,” which gently pokes at the idea of fetishized sadness, the knottiness lurking underneath reflects Scott’s real-time processing of her emotions while making the record.

“I was trying to make sense of things as they were happening to me,” she says. “It’s more difficult for me to examine something clearly enough to write about it when I’m in the middle of it, and yet that’s what it demands. You’ve got to see things for what they are if you want to make truthful observations about them. When you’re writing about the past, you can manipulate it a little bit to fit a narrative, clean it up some—there’s less room for bending the present.” This desire to stick to the truth manifests in her lyrics, from the exposed longing of “Records of Your Tenderness” (“I can’t get one word in front of the other / You know my mind’s an overgrown orchard / Oh, I do not want this to be over”) to “Two of Everything,” the blistering letter to her lover’s lover (“To the one sharing my lover’s bed / Do you hold her when she sleeps / Does she also call you Baby / You should know she calls me Baby”).

Silver Tongue’s musical world is vast and at times seemingly infinite. Edge-of-the-world synths add gravity to the vulnerability of “Two of Everything,” and refracted guitars offer a gnarled counterpoint to Scott’s increased determination at the end of “Last Forest.” On “Gracious Day,” one of TORRES’ most forthright love songs, Scott’s voice hovers over a starlit landscape in a way that transcends the mundane and enters the otherworldly as she sings, “Gracious day / You moved in like a wave of quiet grace / No surprise / Honey, I’m gonna love you all my life.”

TORRES’ music has long navigated the space between the physical and the metaphysical, and Silver Tongue faces that conflict head-on, examining the ways in which the actions of others can stir up deep-seated feelings and seemingly alter the space in which one exists.

[/et_pb_text][et_pb_social_media_follow admin_label="Headliner Social Media" _builder_version="4.0.2"][et_pb_social_media_follow_network social_network="facebook" url="https://www.facebook.com/TORRESMUSICOFFICIAL/" _builder_version="4.0.2" background_color="#3b5998" follow_button="off" url_new_window="on"]facebook[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="twitter" url="https://twitter.com/torreslovesyou" _builder_version="4.0.2" background_color="#00aced" follow_button="off" url_new_window="on"]twitter[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="instagram" url="https://www.instagram.com/torreslovesyou/" _builder_version="4.0.2" background_color="#ea2c59" follow_button="off" url_new_window="on"]instagram[/et_pb_social_media_follow_network][/et_pb_social_media_follow][et_pb_text admin_label="Support Bio" _builder_version="4.0.2"]

ABOUT ARIANA AND THE ROSE

People always ask me, “When did you know you wanted to be a performer?” “How did you get started?” “What was the moment you knew?”...I can’t remember.I’ve racked my brain for this one defining moment where all of these pieces of a puzzle came together for me, and I thought, “Yes! I’m a performer!”

The truth is, the only thing I’ve ever known, the only thing that stays consistent for me after 15 years of performing is how it feels. How it feels to effect a room of people. To bring them together, whether its a class of dancers all moving in unison or a concert where I get to stand on a stage and see the music wash over an audience, that is the feeling. That is the thing that hit me and has never left.

I believe art can unify the world. I wouldn’t consider myself a consummate optimist, I’m a New Yorker after all, but I do believe in that. A song, a film, a performance, can unify a room. For a split second, strangers feel like they know one another and the differences that can so often divide us can, for this one moment, disappear. I believe art can bring the best parts of us to the surface and in a few magic cases, inspire to share the hidden parts of ourselves with the world.

It can expand our souls, so we’re 10 feet tall and open otherwise closed hearts. It can surpass language, upbringing, and even religion because ultimately, it’s a feeling. A feeling, which keeps us listening to the same song on repeat and watching a movie we’ve seen a hundred times.

That is why I am a performer; because I want to be apart of that feeling. I want to create a space for people to find that for themselves. I call myself a performer rather than only a musician because ultimately, that feeling comes for me when I give my art away. When the song is released, or the show is happening, when the audience gets to have it.

I believe art can be thought-provoking and smart and accessible. It can be fun and joyful and serious and intelligent, all at the same time. It can be complex because the most touching performances can be contradictory, just as we are.

I don’t think I always knew why I had to make music or put on a show. Because honestly, it’s hard. And often the road feels long with no rest stops in sight. But what I know, is that everyone needs a place to step off of their road, to have a place just for themselves and the best art provides that. I want to provide that. To make the place, the song, the show, the experience that allows someone to fill themselves back up again.

So for one second or minute or hour, we’re not strangers barreling down our roads, we’re a collective, all feeling that same thing that doesn’t just get us through, but makes us feel completely alive.

[/et_pb_text][et_pb_social_media_follow _builder_version="4.0.2"][et_pb_social_media_follow_network social_network="facebook" url="https://www.facebook.com/arianaandtherose/" _builder_version="4.0.2" background_color="#3b5998" follow_button="off" url_new_window="on"]facebook[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="twitter" url="https://twitter.com/arianatherose" _builder_version="4.0.2" background_color="#00aced" follow_button="off" url_new_window="on"]twitter[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="instagram" url="http://instagram.com/arianaandtherose" _builder_version="4.0.2" background_color="#ea2c59" follow_button="off" url_new_window="on"]instagram[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="youtube" url="https://www.youtube.com/channel/UCT6yntJNfOauCOhODPKBJ6w" _builder_version="4.0.2" background_color="#a82400" follow_button="off" url_new_window="on"]youtube[/et_pb_social_media_follow_network][/et_pb_social_media_follow][et_pb_video src="https://www.youtube.com/watch?time_continue=3&v=XtyqM-vy93c" _builder_version="4.0.2"][/et_pb_video][et_pb_text _builder_version="4.9.4" _module_preset="default"]ABOUT J.R. BOHANNON

Dusk is the result of many years of writing. While Bohannon’s debut EP Recôncavo (released April 2019 on Phantom Limb) introduced a new artist with great ability, Dusk lands exactly on his sound. The years of performing with virtuosic traditional bluegrass and folk musicians, with Merge Records’ Torres and NYC supergroup Gold Dime have refined his skill to incisive perfection, imbibing a luminant lyricism into his instrumental guitar playing. Bohannon was determined not to write “just another acoustic guitar album,” which is starkly evident in Dusk.

Opening track “Reflections of an American Dream” sings with beautiful mysticism, melodies interlacing about the jangling of open strings and the ghosts of great America past, with the open road, the dusty trail, the mountainous expanse. “A Continuous Harmony”, later in the record, sees a guest double bass performance from avant-jazz mainstay Luke Stewart, whose low and languorous lines calm Bohannon’s hummingbird-wing guitar picking. Album closer “The Sorcerer’s Hand” is an improvised piece, featuring NYC master drummer Greg Fox and again Stewart on bass. The combination sounds like a Black Sabbath ballad performed by Appalachian musicians.

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[/et_pb_post_title][et_pb_code admin_label="Billing Below" _builder_version="3.22.2" z_index_tablet="500" global_module="91245" saved_tabs="all"][wbcr_php_snippet id="91136"][/et_pb_code][et_pb_post_title title="off" meta="off" admin_label="Image" _builder_version="3.15"]
[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="3.22.2" z_index_tablet="500" global_module="91327" saved_tabs="all"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.9.10"]

$20.00 ADVANCED // $20.00 DAY OF SHOW

[/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500"]
[/et_pb_acf_single_item][et_pb_acf_single_item field_name="Event Details|show_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Show Time" module_class="show-time" _builder_version="3.18.4"]
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Masks are required and must remain in place unless eating or drinking. 

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Keep the jams flowing after ACL Live's show on October 10 by staying "up all night" at Touch of Trey's late show!

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ABOUT TOUCH OF TREY

[/et_pb_text][et_pb_video src="https://www.youtube.com/watch?v=w8jD4BY3BxI" _builder_version="4.9.10"][/et_pb_video][et_pb_social_media_follow admin_label="Headliner Social Media" _builder_version="4.9.10"][et_pb_social_media_follow_network social_network="facebook" url="https://www.facebook.com/touchoftrey/" _builder_version="4.9.10" background_color="#3b5998" follow_button="off" url_new_window="on"]facebook[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="instagram" url="https://www.instagram.com/touchoftrey/" _builder_version="4.9.10" background_color="#ea2c59" follow_button="off" url_new_window="on"]instagram[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="youtube" url="https://www.youtube.com/watch?v=w8jD4BY3BxI" _builder_version="4.9.10" background_color="#a82400" follow_button="off" url_new_window="on"]youtube[/et_pb_social_media_follow_network][/et_pb_social_media_follow][/et_pb_column][/et_pb_row][/et_pb_section]

[et_pb_section fb_built="1" _builder_version="3.22" background_image="https://3tenaustin.com/wp-content/uploads/2019/06/acl-entry.jpg"][et_pb_row column_structure="2_5,3_5" custom_padding_last_edited="on|phone" _builder_version="3.25" background_color="#ffffff" custom_padding="|2%||2%" custom_padding_tablet="" custom_padding_phone="|5%||5%"][et_pb_column type="2_5" _builder_version="3.25" custom_padding="|||" custom_padding__hover="|||"][et_pb_code admin_label="Billing Above" _builder_version="3.22.2" custom_margin="||0px|" z_index_tablet="500" custom_css_main_element="margin-bottom: 0px!important;" global_module="91263" saved_tabs="all"][wbcr_php_snippet id="91137"][/et_pb_code][et_pb_post_title meta="off" featured_image="off" admin_label="Title" module_class="event-title" _builder_version="3.22.2"]
[/et_pb_post_title][et_pb_code admin_label="Billing Below" _builder_version="3.22.2" z_index_tablet="500" global_module="91245" saved_tabs="all"][wbcr_php_snippet id="91136"][/et_pb_code][et_pb_post_title title="off" meta="off" admin_label="Image" _builder_version="3.15"]
[/et_pb_post_title][et_pb_acf_single_item field_name="Event Details|event_date" image_size="thumbnail" link_image="none" date_format="D, F j, Y" format_output="none" admin_label="Event Date" module_class="event-date" _builder_version="3.22.2" z_index_tablet="500" global_module="91702" saved_tabs="all"][/et_pb_acf_single_item][et_pb_code admin_label="Event Button" _builder_version="3.22.2" z_index_tablet="500" global_module="91327" saved_tabs="all"][wbcr_php_snippet id="91135"][/et_pb_code][et_pb_text admin_label="Pricing" _builder_version="4.9.4"]

$20.00 ADVANCED // $23.00 DAY OF SHOW

[/et_pb_text][et_pb_acf_single_item field_name="Event Details|doors_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Doors Time" module_class="doors-time" _builder_version="3.22.2" z_index_tablet="500"]
[/et_pb_acf_single_item][et_pb_acf_single_item field_name="Event Details|show_time" image_size="thumbnail" link_image="none" format_output="none" admin_label="Show Time" module_class="show-time" _builder_version="3.18.4"]
[/et_pb_acf_single_item][/et_pb_column][et_pb_column type="3_5" _builder_version="3.25" custom_padding="|||" custom_padding__hover="|||"][et_pb_blurb _builder_version="4.9.10" _module_preset="default" hover_enabled="0" sticky_enabled="0"]

Masks required for entry and must remain in place unless eating or drinking.

[/et_pb_blurb][et_pb_text admin_label="Headliner Bio" _builder_version="4.9.4" _module_preset="default"]

ABOUT BEN SOLLEE

Over the last two decades, Kentuckian Ben Sollee has distinguished himself as multi-faceted creative, blurring the lines between music, tech, and experiential design. As a cellist, songwriter, and storyteller he has toured the globe, sometimes by bicycle, performing his original music. As a composer he has created music for stage, screen, and virtual reality apps earning an Emmy Award for his 2018 score for Base Ballet. As a producer, he has curated hundreds of live events including experiences for the Speed Art Museum and Lincoln Center. Throughout it all, he has continued to advocate for people and the land by creating and curating experiences that grow a greater sense of togetherness.

“The throughline for all my various projects is togetherness”, says Sollee of his music and creative work. “Whether I’m producing a live experience or developing a virtual reality app, my purpose is the same: to include rather than exclude and help humans grow their affection for each other and the environment.” Sollee’s body of work bears this out. His latest record Kentucky Native, blends traditional bluegrass with influences from Kentucky’s latest immigrant population. In the 2010, Sollee teamed up with songwriter Daniel Martin Moore and My Morning Jacket’s Jim James to create Dear Companion, a record raising awareness about the devastating practice of mountain top removal strip mining in Appalachia. In fact, his advocacy for the environment is what led him to film composing.

“Yes, early on my film composing centered around supporting filmmakers in and around Kentucky producing environmental documentaries”, recalls Sollee, “and my purpose was to help the audience be open to the issues in the films.” As time went on, Sollee’s composing voice matured, showcased in films such as Maidentrip (2013) and Beauty Mark (2018). In 2013, he teamed up with composer Christopher Young on Killing Season, featuring Robert Dinero and John Travolta. Sollee infused his unique cello styling in to the film’s score and wrought the original song Letting Go. Ever the collaborator, Sollee’s latest score for Robin Wright’s directorial debut LAND finds him teaming up with contemporary string trio Time for Three.

Sollee is known for his outside-of-the-box cello playing and his curiosity has led him to new, innovative media spaces. In 2016, Sollee teamed up with designer Pat King of Woodpenny games to create The Vanishing Point, the first-ever interactive, virtual reality music app for mobile devices. The project was crowd-funded on Indie Go Go with the support of over 160 backers. Continuing his work in interactive media, Sollee collaborated with contemporary dance icons Keoni & Mari in 2018 to create the music for RUTH, the first-ever, interactive “dancebook.”

Mr. Sollee is also known for his social and environmental advocacy. Growing up in Kentucky, he developed a deep affection for the land and its people. This affection has manifested in many collaborations and projects with Appalachian Voices, The Nature Conservancy, and Oxfam America to name a few. In 2009, Sollee began touring partly by bicycle. Over the following five years, he racked up over 5,000 miles of pedaling around the nation with his cello Kay on what he affectional called his “Ditch the Van” tour. Currently, Sollee works as Media and Production lead for Canopy Ky, a non-profit helping businesses incorporate, measure, and grow their social and environmental good.

Mr. Sollee lives in Louisville, KY with his wife and three children.

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$12.00 ADVANCED // $12.00 DAY OF SHOW

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Masks required for entry and must remain in place unless eating or drinking.

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The Nightowls, Austin's favorite good-time-having, dance-inducing, 10-piece band, are bringing their epic Sunday Block Party celebration to the 3TEN stage! Join us from 4-7:30PM on Sundays August 8, September 12, October 17, and November 14 for the late brunch dance party that'll put the cherry on top of your weekend.

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ABOUT THE NIGHTOWLS

After years of reverent exploration and immersion in classic soul and R&B, it can be said The Nightowls has learned its history. Now, the Austin-based groove machine is ready to not repeat it.

Casting aside its throwback artistic ethos, the 10-piece band boldly paves its own path with the sensual pop and smoldering grooves of the aptly titled, We Are The Nightowls, out April 27. It’s a masterful album that benefits from a stable lineup, and crisp modern production courtesy of Chris Bell (Erykah Badu, North Mississippi Allstars, Kenny Wayne Shepherd).

“Previously, it was important for us to look back and pay tribute to the past, but now it’s time to move the ball forward and do something unique,” says the band’s visionary, main songwriter, and singer Ryan Harkrider.

The Nightowls features Ryan Harkrider vocals, Sara Stein, vocals, Kamilla Lamar, vocals, Rob Alton, bass, Andrew McLemore, saxophone, Rydog Johnson, guitar, Vince Wiley, keys, Luke Scallan, trumpet, Zol Waterhouse, trombone, and Justin Hights, drums. The soul dynamos first shook up the Austin scene in 2014 with an incendiary debut album and sweat-soaked revue-style showmanship and choreography.

The group has earned prime regional and national accolades from The Austin Chronicle, Austin Monthly, Texas Music Magazine, The Atlantic, Southern Living, Relix, and Pollstar. The 10-piece band has also fervently spread the gospel of classic R&B and soul around the country with regional and national tours, select highlight performances include incendiary appearances Austin City Limits and South by Southwest.

These soul saviors have apprenticed at the finest institutions. The Fame Sessions album was tracked at the venerated Muscle Shoals studio (Aretha Franklin, Wilson Pickett, The Rolling Stones), and the Royal Sessions was recorded at Willie Mitchell and Al Green’s legendary studio.

The connotations of definitiveness on, We Are The Nightowls, are intentional. The record is the result of two years of soul searching. “It was important to write something authentic to the band that didn’t feel dated,” Ryan says. So, instead of looking at the timeline of American soul for inspiration, he sought the vibrant laboratory of groove right in his rehearsal room.

The resulting 11-song album is thoughtfully sequenced, frontloaded with sleek song-oriented pop-R&B with a spacey interlude that announces a party side, showcasing the band’s limber funkiness. One gem from Ryan’s intention to the let band just be who they are is the crushed velvet soul of “Don’t It Feel Weird.” The track was built from ideas the band worked up recording while letting loose in the studio. From that soulful seedling, Ryan finessed a song brimming with slinky musical motifs, stately strings, dreamy harmony singing, and silken pop-R&B vocals.

Other standouts include “#selfiequeen,” “All The Good Things You Are,” “and “Get Funked Up.” “#selfiequeen” is a slick dose of percolating funk, playfully calling out The Nightowls show-goers tradition of capturing the moment. “All The Good Things You Are” oozes elegance courtesy of majestic strings and just a touch of 1990s Boyz II Men R&B. The party heats up on the rowdy and stanky “Get Funked Up,” offering the band a chance to flex its live-show muscle with a banger.

We Are The Nightowls is no doubt a breakthrough album. For Ryan, its rewards are in its gifts of personal and creative growth. He says: “In the past, I had a clear vision of what a band doing something that happened 40 years ago looks and sounds like. For this album, I had to let that go, trust in myself, and trust in the people around me to move forward.”

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$20.00 ADVANCED // $25.00 DAY OF SHOW

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Masks required for entry and must remain in place unless eating or drinking.

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ABOUT HOW LONG GONE

How Long Gone feels like when you used to have friends. Assuming your friends were bicoastal elites, Chris Black and Jason Stewart. And they welcomed you to silently join them as they ushered in a parade of guests – playwright Jeremy O. Harris, musician Phoebe Bridgers, actress Hari Nef – to chop it up three times a week. Did you ever laugh with your friends like that?

The guests of How Long Gone come from media, fashion, literature, music, and business – a common throughline isn't immediately obvious. But each guest – Tavi Gevinson, Mickey Drexler Faye Webster, Bowen Yang, and many more – are tied together after they surrender to the bedrock charm of the show. As the unscriptable rapport between Chris and Jason seeps into the guests, conversations bloom and take on a life of their own. It's an honest exchange happening. There is a lot of humor, nothing is sacred. It's revealing, it's intimate, it's engaging - it's everything you want to happen in a real conversation. 

How Long Gone is a podcast that was created out of pandemic boredom by two old friends. Chris was in New York and Jason was in Los Angeles. Most of these details remain accurate, but what How Long Gone has become is much more than it was in its infancy. They set out to make a podcast and ended up creating a cosmos instead. As Chris told Vogue, the greatest reward is "creating a universe of interesting and engaging people who just want to come together to have a good time."

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