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ABOUT THE PAPER KITES 

There’s been no stopping for The Paper Kites since their critically acclaimed 2015 album twelvefour and their 2018 On the Train Ride Home and The Corner Where You Live. With official platinum certification in the US, Melbourne indie folk outfit The Paper Kites released their highly anticipated fifth studio album 'Roses' in 2021. With their brand of weather-beaten ballads and rain drenched pop, the 10 track album bleeds with gentle significance, full of power and sentimentality.

The Paper Kites (which includes vocalist Sam Bentley, vocalist Christina Lacy, guitarist Dave Powys, drummer Josh Bentley and bassist Sam Rasmussen) have earned a loyal, organic fan base. In the eight years since they formed, what’s followed is an impressive reach of their music with standout single Bloom (from their Woodland EP) certified platinum with over 700,000 tracks sold across America, which sees them join a small list of Aussie artists (including ACDC, INXS, Midnight Oil, SIA, Kylie Minogue, Flume and Silverchair) who have received platinum accreditation in the US.

Ever the quiet achievers - The Paper Kites return with their 5th studio album, 'Roses' is a testament to sincere, patient and understated songwriting. A deeply moving collection of songs, helmed by a cherished selection of artists. Featuring a powerhouse of female accompanists in Lucy Rose (UK), Julia Stone (AU), Nadia Reid (NZ), Maro (PT), Aoife O'Donovan (US), Rosie Carney (IE), Ainslie Wills (AU), Amanda Bergman (SE), Lydia Cole (NZ) and Gena Rose Bruce (AU), 'Roses' is the first collaborative release from the band.

The band has also been steadily touring across 4 continents, 26 countries with nearly 300 shows in just under 4 years. With over half a billion streams and nearly 4 million monthly listeners on Spotify, they continue to amass new fans wherever they go.

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ABOUT PETER BRODERICK

Born in 1987, Peter Broderick is an American-born multi-instrumentalist and singer, now based in Ireland. Aside from collaborations with M. Ward, Laura Gibson, Dolorean, Efterklang, Nils Frahm, Greg Haines, David Allred and many more, Broderick recorded several acclaimed albums of solo material, ranging from sparse classical compositions or homemade folk music to piano and voice recordings – constantly experimenting with different musical genres and making his name as an increasingly essential artist in today’s musical panorama. Along with some of the most prestigious venues across the world, Peter Broderick has also performed in festivals like Roskilde, Montreux Jazz Festival, CTM Festival, Green Man, Amplifest, Supersonic Festival and OFF Festival.

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ABOUT CHRISTIAN FRENCH

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ABOUT JORDANA 

ABOUT DEV LEMONS 

Pennsylvania-born singer songwriter Dev Lemons straddles the line between R&B songstress and emo rocker, writing deeply personal bedroom pop songs designed to replicate a late night heart-to- heart chat with a close friend.

Whether it’s touching on abandonment issues, toxic relationships, the fear of going to the dentist, or even tactics to deal with pampered nepotism babies, Lemons’ relatable music is about overcoming your demons and replacing them with the insulation of unhinged fun.

A student of bands like Paramore, My Chemical Romance, and Bring Me The Horizon, Lemons shares a similar honesty in her songwriting and an innate ability to transform personal pain into galvanizing hooks ready to be chanted back by a crowd of fellow outsiders. Or, as she more succinctly puts it: “My music is about finding beauty amidst all of life’s chaos. By the end of a Dev Lemons song, you will feel somewhere in the middle of motion sickness, ecstasy, and maybe even a little itchy. Trust me!”

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ABOUT DARKBIRD

Lyrics to the first song Kelly and Brian would ever write together set the stage for the romantic waterloo that would become Darkbird. Kelly Barnes left Los Angeles after a broken marriage resulted in a broken band. Just prior to the move, she unexpectedly hit international success, as the vocalist on the massive hit “Get Shaky” with the late DJ Ian Carey. While the track and a few others were financially significant to the ex-wife and waitress, Kelly was ready to explore another path that was more personally expressive. 

After a tragic house fire in NYC, Brian Cole opted for a fresh start. As his belongings smoldered in the winter snow, he decided to pack up what was left and head south in search of warmer days and better luck. Ironically, while most go to LA or NYC to make their dreams come true, Brian and Kelly found each other on the musician page on Craigslist in Austin, TX.  While they had hoped to leave their pasts behind, inevitably, the heartbreaks found a place they call home in Darkbird.

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ABOUT SCHOOL OF ROCK ALLSTARS 

The School of Rock AllStars are top teenage musicians from around the globe, touring North America and wowing crowds with classic and modern rock and roll hits. They are joined by School of Rock house bands that showcase the area's local talent.

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ABOUT CARBON LEAF

A touring mainstay and an indie folk rock staple, this Virginia quintet’s well-hewn live show and musical style drift in and out of Americana, bluegrass, rock, folk, Celtic and pop traditions with ease, using an arsenal of instruments to define the band’s lively stage presence and sonic landscape.

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ABOUT WHITEHALL

Whitehall is an indie rock four-piece from Charleston, SC. They merge a dancey demeanor with an insatiable desire for more out of life, making for an incredibly energetic and heart opening live experience. When they aren’t shotgunning La Croix, Whitehall tours the east coast.

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ABOUT BARTON HILLS CHOIR

The Barton Hills Choir is a youth chorus from Austin, TX that specializes in music of the Grateful Dead, The Beatles, and other classic rock artists and is accompanied by local Austin musicians.

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ABOUT CAT BURNS

Multi-BRIT-nominated, double-platinum-selling South London artist Cat Burns delivers her brand new single, 'live more & love more.'

Overflowing with positive affirmations, 'live more & love more' is an uplifting song filled with vibrant guitar melodies and a wonderful vocal performance from Cat. When speaking about her new single, Cat says, "It's a very positive song about starting whatever it is you want to start and doing whatever it is you want to do in life because we only have one life, and we deserve to live it to the fullest!"

Cat's new single follows her previous offering, 'people pleaser,' which has amassed over 20 million global streams. 'people pleaser' has received solid playlist support across BBC Radio 1, BBC Radio 2and BBC Regional. She recently joined forces with Brighton rapper ArrDee for their collaboration 'Home For My Heart,' which entered the Top 40 Singles Chart.

Cat's career trajectory has gone from strength to strength. From becoming the biggest-selling British female artist of 2022 and receiving several accolades, including three BRIT Award nominations, which includes a coveted BRITs Rising Star nod, inducted into BBC Sound Poll 2023 shortlist, and Spotify's Global RADAR artist under her belt at only 22 years old, the South London singer/songwriter has the world at her feet.

Her viral smash 'go,' now 2x platinum, peaked at #2 on the Official Singles Chart and remained in the Top 10 for 17 weeks. Cat recently gave a superb performance of her hit single at the BRIT Awards earlier this month, where she was up for three nominations ('Song of The Year,' 'Best Pop/R&B' and Rising Star), earning the title of the most nominated solo female artist at this year's ceremony.

Next month, Cat will open Sam Smith's Gloria UK & Europe headline tour, which includes two London dates at The O2. In May, she will perform at BBC Radio 1's Big Weekend in Dundee and will make an appearance at Birmingham Pride. Following this, Cat will make her much-anticipated debut appearances at Glastonbury and The Governor's Ball in New York in June before reuniting with Ed Sheeran for the North American run of his Mathematics Global Tour this summer, following her stint supporting the global superstar on the European leg last year.

Inspiring and courageous, new single 'live more & love more' ushers in a new chapter for Cat Burns, with plenty of exciting plans from the South London artist this year.

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ABOUT CLAUD

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ABOUT MIKE & THE MOONPIES

 For a band that regularly plays 250 shows a year, there's nothing like coming back home.

     ‘One To Grow On,’ the eighth studio album from Mike and the Moonpies, is a musical homecoming that returns the group to its roots as a working man's country band. Layered with Telecaster twang, honky tonk harmonies and lyrics that highlight the Everyman's struggle to remain optimistic during a 9-to-5 world, this is organic music for dance halls and car stereos—a soundtrack for the mid-week blues, shot through with weekend energy.

     "I wanted to create a record you could crank loudly in your truck on Friday afternoon at quitting time," says frontman Mike Harmeier, who wrote ‘One To Grow On’ in his backyard studio on the outskirts of Austin. "To do that, I developed a narrative and a central character. It's a guy who's working hard to make ends meet, all while living in the moment and hoping to stay appreciative of the things he has. A guy who takes pride in what he does but is still searching for a balance in his life. There are a lot of similarities between him and me.

     "For more than a decade, Harmeier and his band of hard-touring road warriors—pedal steel player Zach Moulton, guitarist Catlin Rutherford, bassist Omar Oyoque along with new drummer Taylor Englert —have traveled far beyond their Austin homeland, flying the flag for homegrown Texas music in more than a dozen countries. They've become global ambassadors of a blue-collar country sound, striking a balance between timeless influences and cool, contemporary appeal. Along the way, they've stretched their legs, following the breakthrough success of 2018's Steak Night at the Prairie Rose with records like 2019's Cheap Silver & Solid Country Gold (an album inspired by the classic countrypolitan hits of the early 1970s, recorded at Abbey Road Studios with help from the London Symphony Orchestra) and 2020's Touch of You: The Lost Songs of Gary Stewart (a collection of nine unreleased songs written by the honky-tonk hero).

     When the COVID-19 pandemic brought the Moonpies' busy schedule to a halt, Harmeier found himself back home in Austin, inspired to return to the sound that had launched his band's career. He didn't need to look far for ideas.

     "I have an old, square-bodied Chevy pickup from 1985," he says. "My dad had the same one. I used to work with him as an electrician when I was younger, and I started thinking about my dad, my grandfather, and the original owner of that truck. I thought about the kids I grew up with. Everyone I know who isn't a musician is working construction.They're putting one foot in front of the other and trying to appreciate the moment they're in, while basically working 24/7, 365. A lot of people live their lives that way, and they inspired me to write a working man's story.

     A working man himself, Harmeier headed to his backyard studio, where he used his free time to his advantage. He wrote. He revised. He sent ideas to his producer and bandmates, who helped mold and modify the songs from their own home studios. What emerged was a sound that split the difference between 70s southern rock and 90s country, with twin guitar leads and earthy storytelling. ‘One To Grow On’ took shape during those months of isolation—months that found all of the Moonpies collaborating remotely, remaining active even while in quarantine.

     "We'd never had that kind of time on our hands before," Harmeier remembers. " I would develop the character as far as I could then send it to our producer [Adam Odor] for even more rewrites and then finally to the band for their input. They got to know the material long before we went into the studio. They got to know the album's central character, as well, and they wrote instrumental parts to convey the consciousness of that guy.

     "Co-produced with longtime collaborator Odor and recorded at Yellow Dog Studios in Wimberley, Texas, ‘One To Grow On’ kicks off with "Paycheck to Paycheck," an anthem for hardscrabble living. Driven forward by fiery fretwork, breakneck tempos, and vocal harmonies from Shiny Soul Sisters' Alice Spencer and Kelley Mickwee, the song serves as a primer for what's to come—the wild west atmospherics of "Whose Side Are You On," the greasy funky-tonk of "The Vein," and everything in between. Shooter Jennings makes a pair of appearances, playing synthesizer on songslike "Social Drinkers," while former Moonpie John Carbone returns to the fold to play keyboards throughout the album. Three members of fellow Texas-based outfit Quaker City Night Hawks join the band on "Burn Out," an autobiographical country-rocker that closes 'One To Grow On' by focusing not upon the character Harmeier has created, but upon the narrator himself.

     "I knew I was writing a character-driven record, but I wasn't sure who he was until we finished," says Harmeier. "He'sa bit of me, a bit of my father, and a bit of my friends. He's the Everyman. He's everyone I know, and everyone I don't know."

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ABOUT BLOOD RED SHOES

Blood Red Shoes are an alternative rock duo from UK who have released 6 studio albums and countless EPs and one-off singles since they began in 2004. Characterised by the dual vocals of guitarist/singer Laura-Mary Carter and drummer/singer Steven Ansell, the band’s sound has seen them evolve over time from the scrappy indie-punk beginnings of “It’s Getting Boring By The Sea” into darker, harder edged and more gothic terrain, no more so than with 2022’s GHOSTS ON TAPE album. The band are known for their energetic live shows and old-school hard touring ethic, having played over 1200 shows around the globe since their formation .

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ABOUT CAROLINE JONES 

Lauded by Rolling Stone as “an ambitious, entrepreneurial guitar heroine primed to bring back the pop-country glory of the Nineties,” Caroline Jones is a multi-genre singer-songwriter and multi-instrumentalist enriching the country scene with her unique, independent spirit. She officially joined multi-platinum GRAMMY-Award winning Zac Brown Band in 2022 as a full-time band member, making her the first and only female. Her sophomore album, Antipodes (November 2021), debuted at #4 on the iTunes Country Chart and its lead single, “Come In (But Don’t Make Yourself Comfortable),” is Jones’ first Top 30 country hit that is still climbing the charts thanks to its viral TikTok line dance that has been played over 540 million times. As with her debut album Bare Feet (August 2017), Caroline co-produced Antipodes with Ric Wake (Mariah Carey, Celine Dion, Whitney Houston), performed majority of the instruments, and solo wrote majority of the tracks. Antipodes also features collaborations with industry heavy-hitters Zac Brown, Joe Bonamassa, Mac McAnally, and Old Dominion’s Matthew Ramsey.

Caroline’s skilled musicianship and addictive, foot-stomping hits have led to performances on The Tonight Show, The Kelly Clarkson Show, TODAY Show, as well as multiple appearances at the legendary Grand Ole Opry. Perhaps most impressive about Jones’ young career is the list of mentors who have taken her under their wing and on tour, including Kenny Chesney, Faith Hill and Tim McGraw, Vince Gill, Jake Owen, Trisha Yearwood, The Eagles, OneRepublic, and most significantly, Jimmy Buffett and the Zac Brown Band.

Jimmy Buffett, notorious for having no openers, brought Caroline out as an opening act and special guest in 2018 and 2019, which was followed by a distribution deal with his label Mailboat Records for the release of her debut album and the release of “Gulf Coast Girl” featuring Buffett, Kenny Chesney, Mac McAnally, and Lukas Nelson. The breezy summer track, which was written specifically for Caroline by Buffett and Mac McAnally, debuted at JazzFest in 2019 and quickly became a hit on SiriusXM’s The Highway, helping the video reach nearly 2 million views to-date.

Caroline first opened for Zac Brown Band on their 2017 tour and, following three consecutive years as their staple opening act, joined the band as a special guest in 2021. Highlights with the group include performing at the 2021 CMA Awards, opening for The Rolling Stones at Atlanta’s Mercedes-Benz Stadium and most recently, performing as Dolly Parton's band for her Rock n' Roll Hall of Fame induction. In 2022, Jonesreunited with Zac Brown Band as a special guest in their Out In The Middle Tour — performing at iconic venues such as Citi Field, Fenway Park, Hollywood Bowl, and Wrigley Field among other anticipated highlights — while popping up at key festivals and headlining her own shows in support of Antipodes. In 2023, Jones will be back on tour with ZBB for their From The Fire Tour, where they will play over 30 U.S. shows, including a return to Fenway Park, where they have sold out 13 times previously. They will also headline international shows in London, Glasgow and Dublin as part of the C2C: Country to Country festival and at CMC Rocks in Australia, where Caroline will also be performing her own solo set. Jones is also rolling out new music off her forthcoming studio album expected this fall.

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ABOUT ZELLA DAY

Zella Day’s new album Sunday In Heaven signals a huge creative leap forward for the Los Angeles-based singer-songwriter. Day--aprolific writer who is known to endlessly scribble lyrics and ideas for melodies on anything within reach–initially wrote more than 70 new songs for Sunday In Heaven. Though there was a wealth of material from which to choose, that number was eventually whittled down to ten tracks, all steeped in Cali blue skies and golden hour light. She spent the summer of 2019 recording demos with her friend, producer/engineer John Velasquez. Some months later, in the middle of quarantine, the pair jumped in a Jeep Wrangler and drove cross-country to record with producer Jay Joyce (Emmylou Harris, White Reaper) at his Nashville studio The Neon Church.The songs, which feature vibrant, four on the floor time signatures, were recorded by a live band which included Autolux’s Carla Azar and Cage The Elephant’s Daniel Tichenor. Joyce’s expertise in effortlessly blending elements of different genres helped Zella to home in on the voice she had developed --a distinctly Los Angeles inflection combining ease and beauty stretching from the pangs of self-growth and resilience. Additional production by John Velasquez and Alex Casn off allowed Zella to continue to stretch creatively.Sunday In Heaven is liberally sprinkled with catchy melodies (the sunny stomp of “Am I Still Your Baby?,” a kiss-off to those who dared doubt her on “Last Time,”and the skippy “Drink too much / Think too much” refrain of “Mushroom Punch,” which Zella calls a “psychedelic trip of the heart”). Elsewhere, both “Girls” and “Golden,” with their breezy, 70s soft-focus sashay, emerged during two fertile days of writing just outside Muscle Shoals, AL with John Paul White (The Civil Wars). An ode to endless evenings with her friends, “Girls”recalls Fiona Apple in its off-kilter strut and evokes“California Dreaming” in the cushiony harmonies. There are also songs that tackle matters of the heart, like “Almost Good,” with its rolling bolero, and “Dance for Love,” a joyous paeanto Roy Orbison. Elsewhere “I Don’t Know Where to End” is her love letter to Long Beach (“I wanted to capture the warmth that I feel being embraced by that place”). At the album’s tender center stands “Bunny.” Over sparse piano chords, a reflective Zella pushes through the swirl of self-doubt. As “Bunny” builds to a climax, her voice cracks, both bruised and defiant, “Let it all go, everything’s different now.”“I needed something like a mantra I could repeat to myself, the more I sing it the more I’ll believe it,” she explains.“It’s up to us to decide whether or not we are going to let certain challenges define our lives,” she continues. Truly, if Sunday In Heaven is anything, it is the pure sound of a woman choosing how and who she wants to be in the world on her own terms; a record for moving forward out of darkness into light; for creating your own beautiful, sparkling reality exactly as you are.Heaven, indeed

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